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Gledhill Arts Collective

  • HOME
  • EMAIL US
  • GAC STUDENTS
    • EDWARDS, Ethan (2)
    • EDWARDS, Toby (1)
    • GLEDHILL, Griffin
    • GLEDHILL, Mindy
    • GUPTA, Aria
    • GUPTA, Riya
    • MANICE, Finley (1)
    • MANICE, Mae
    • MANICE, Oliver (2)
    • MOORE, Kate (3)
    • MOORE, Wyatt (2)
    • PRIEGO, Alvar Balaji
    • PRIEGO, Manu Balaji
    • ROBER, Daniel (1)
    • ROBER, Genevieve (2)
    • VINBOR COSTA SANTOS, Emilia (2)
    • WANG, Jasper (2)
    • WANG, Jenny (3)
  • THE BOHEMIANS: NEW YORK MUSICIANS' CLUB

April 23, 2024

April 23, 2024 Dustin Gledhill

Final Recital Repertoire

Spring Milestones:

  1. January Recording Session for Competition

  2. Level 3 and 4 RCM Theory

  3. Level 3 or Practical RCM assessment: May 29, 2024

    1. List A: Minuet in G Minor, BWV Anh. 115 by Christian Petzold (1677-1733)

    2. List B C Major

    3. List C: Clowns by Kabalevsky

    4. Etude 1: Left Alone

    5. Etude 2: Arabesque

  4. Expressive Focus in Performance

RCMCP Scores:

Level 1: Score of 84

Level 2: Score of 96

Level 3:

🖤Start practicing Minuet in G minor and Sonatina in C Major one month before your recital.

💜Sonatina in C Major op. 36 no. 1 by Clementi (L. 3, B)

  1. See the blue pen and highlights.

💚RCM Technical Requirements Level 3 in Newzik

  1. See the blue highlights

  2. Careful of rotating onto the nail when you raise your wrist.

💚Celebrate Theory, Level 4, Unit 2

  1. Complete the unit

💚Sight-reading: J.S. Bach, 6 Preludes, BWV 939-943

  1. Sight-reading daily: at least 8 measures at a time, per session. These will be harder than your normal sight-reading material. So please study closely, look at chords and try to connect the dots with your theory assignments. Repeat the 8 measures until you can play it without too many errors.

  2. Finished:

    1. Burgmuller, 25 Etudes, Op. 100

    2. J.S. Bach, 6 Preludes, BWV 939-943

💚Four Star Sightreading and Ear Tests Level 3 (tests PDF)

  1. See the “Clapbacks 4/22”

  2. Work backward from set 10 and do one day per practice session.

💚Arabesque op. 100 no. 2 by Johann Friedrich Burgmüller (1806-1874) (L. 3, Etude)

  1. Practice starting from any measure.

  2. One time through at a slow-medium tempo (76) Hands alone and then together.

💚Clowns by Kabalevsky (L. 3, C)

  1. Be careful to NOT PULL on the keys.

  2. Hands alone practice at medium tempi.

  3. Keep the same tempo when playing

💚March in D Major BWV Anh. 122 C. P. E. Bach (L. 4, A)

  1. Practice starting from any measure.

  2. Fix pink pen.

  3. Hands alone once a day.

💜Level 4 A possible pieces: Air in B-flat by Handel, and Allegretto in E Major by Hassler

💜After Assessment: Start some improvisation / composition assignments.

🖤Czerny Op. 299 No. 1 in C Major

  1. Speed-building:

    1. One measure at a time, starting at m.m. 50 and going up in increments of 4. Goal is 88.

    2. Complete at least mm. 9-12 and more if possible over the next week.

    3. If you get to a speed that is not working after three tries, STOP, and ask yourself what technical work you need.

      1. Use “accent practice” as needed: Accent every four 16th notes. Rotate them.

  2. Review mm. 9 to the end with a very slow pace.

🖤Czerny Op. 299 No. 2 in C Major

  1. Measures 5-8

    1. get rid of any pauses

    2. Speed-build

    3. Do technical work as needed

🖤Hanon No. 4 (start with this assignment every day)

  1. Rhythms:

    1. Long, Long, Short, Short

    2. Long, Short, Short, Long

    3. Short, Short, Long, Long

    4. Short, Long, Long, Short

  2. LEGATO: m.m. 100 two notes per tic. Your goal here it to play with a smooth, bump-free hand position.

🖤Basic Rhythmic Training by Robert Starer No. 95 (slower)

  1. Prepare nos. 108 and 110

  2. Remember to clap the pulse for one measure before you begin.

  3. Tidy up the beat’s subdivisions. They’re almost clear! :)

🖤Bartok Microkosmos:

  1. Left off on no. 61

  1. 💚Left Alone by Joyce Grill (L. 3, Etude)

    1. Continue to focus on tidy attacks for the chords

    2. Gradually release the hand from the keyboard as well as your pedal. Match the mood of the piece in your ending.

  2. 💚Sonatina in A Minor op. 94 no. 4 (L. 3, B)

  3. 💚💚Sonatina in C Major op. 36 no. 1 by Clementi (L. 3, B)

  4. 💚Musette in D Major BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

    1. Please focus on dynamics when you review.

  5. 💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  6. 💚Minuet in G Minor, BWV Anh. 115 by Christian Petzold (1677-1733) (L. 3, A)

  7. 💚Etude in F Major, Op. 190, NMo. 27 by Köhler (L. 2, Etude)

  8. 💚Impertinence, HWV 494 George Frideric Handel (1685-1759) (L. 2, A)

  9. 💚I Spy by Melody Bober (L. 2, B)

  10. 💜💚Canon in A Minor by Cornelius Gurlitt (L. 2, C)

  11. 💚Etude in D Minor op. 82 No. 65 by Cornelius Gurlitt (L. 2, Etude)

  12. 💚Celebration by Anne Crosby-Gaudet (L. 1, Etude)

  13. 💚Mist by Clifford Poole (1916-2003) (L. 1, B)

  14. 💚Aria in F Major, BWV Anh. 131 by Johann Christian Bach (1735-1782) (L. 1, A)

  15. 💚Waltz Op. 39 No. 13 by Dmitri Kabalevsky (1904-1987) (L. 1, B)

Spring Milestones

  1. Record 1-2 pieces for competition submission.

← April 30 & May 7 & 14, 2024April 16, 2024 →

Mailing Address: 16 Madison Square West, 12th Floor, PMB#133, New York, NY 10010

Email: info@GledhillArtsCollective.com Fax: 917.268.9629