RCMCP Scores:
Level 1: Score of 84
Level 2: Score of 96
Level 3: Score of 92
đź’šRCM Technical Requirements Level 4 in Newzik
For each item:
Make sure fingers are curved and wrist doesn’t drop on thumb.
CLOSE LOUD @ m.m. 66 per tick (correct mistakes as you go)
STACCATO @ m.m. 66 two notes per tick (tap the notes using a supple wrist)
LEGATO @ m.m. 66 two notes per tick (focus is perfect form)
SPEED-BUILD to m.m. 92
Start at m.m. 76, 84, 88, then 92.
Time yourself to see how long it takes.
đź’šCelebrate Theory, Level 4, Unit 4
Study and complete the unit by our next lesson (after July 24th). This can be negotiable if MSM homework is too much.
đź’šSight-reading: Czerny Op. 599. Left off at No. 7
BEFORE YOU BEGIN: FOCUS
Keep a pulse no matter what and no matter how slow.
Don’t fix mistakes in realtime.
Let notes go if needed and look ahead to the next landing point.
Paused:
Bartok: Mikrocosmos, No. 61
J.S. Bach, 6 Preludes, BWV 939-943, No. 4
Finished:
BĂĽrgmuller, 25 Etudes, Op. 100
đź’šMarch in D Major BWV Anh. 122 C. P. E. Bach (L. 4, A)
The “peaks” of your crescendo markings should be a bit softer - less “pointed.”
Measure 21, hold the quarter note for its full value.
No faster than m.m. 84-96.
đź’šEtude in E Minor op 65 no 42 by Carl Albert Loeschhorn (L. 4 Etude)
One measure at a time, legato, as written.
Work up to m.m. 76 and focus on legato sound between the two hands.
đź–¤Masquerade by Linda Niamath (L. 4, Etude)
đź–¤Ballade op 100 no 15 by JF BurgmĂĽller (L. 4, Etude)
đź–¤The Avalanche op 45 no 2 by Stephen Heller (L. 4, Etude)
đź–¤Hanon No. 4 (start with this assignment every day)
Rhythms:
Long, Long, Short, Short
Long, Short, Short, Long
Short, Short, Long, Long
Short, Long, Long, Short
LEGATO: m.m. 100 two notes per tic. Your goal here it to play with a smooth, bump-free hand position.
đź–¤Four Star Sightreading and Ear Tests Level 4 (tests PDF)
Resume in July
đź–¤Basic Rhythmic Training by Robert Starer No. 95 (slower)
Prepare nos. 108 and 110
Remember to clap the pulse for one measure before you begin.
Tidy up the beat’s subdivisions. They’re almost clear! :)
đź’šClowns by Kabalevsky (L. 3, C)
đź’šArabesque op. 100 no. 2 by Johann Friedrich BurgmĂĽller (1806-1874) (L. 3, Etude)
đź’šLeft Alone by Joyce Grill (L. 3, Etude)
đź’šSonatina in A Minor op. 94 no. 4 (L. 3, B)
đź’šđź’šSonatina in C Major op. 36 no. 1 by Clementi (L. 3, B)
đź’šMusette in D Major BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)
đź’šMinuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)
đź’šMinuet in G Minor, BWV Anh. 115 by Christian Petzold (1677-1733) (L. 3, A)
💚Etude in F Major, Op. 190, NMo. 27 by Köhler (L. 2, Etude)
đź’šImpertinence, HWV 494 George Frideric Handel (1685-1759) (L. 2, A)
đź’šI Spy by Melody Bober (L. 2, B)
đź’śđź’šCanon in A Minor by Cornelius Gurlitt (L. 2, C)
đź’šEtude in D Minor op. 82 No. 65 by Cornelius Gurlitt (L. 2, Etude)
đź’šCelebration by Anne Crosby-Gaudet (L. 1, Etude)
đź’šMist by Clifford Poole (1916-2003) (L. 1, B)
đź’šAria in F Major, BWV Anh. 131 by Johann Christian Bach (1735-1782) (L. 1, A)
đź’šWaltz Op. 39 No. 13 by Dmitri Kabalevsky (1904-1987) (L. 1, B)
Level 3 or Practical RCM assessment: May 29, 2024
List A: Minuet in G Minor, BWV Anh. 115 by Christian Petzold (1677-1733)
List B C Major
List C: Clowns by Kabalevsky
Etude 1: Left Alone
Etude 2: Arabesque
