Final Recital
- Sunday, June 3rd, 2018
Guest Artist Class
Performance Class
Notes & Makeups
- Start your practice with Scales and treat Czerny as a technique exercise. Next, do your Four Star assignment, followed by repertoire in the following hierarchical order: Clementi Movement III, Bartok, Scarlatti, Debussy and other "*" items.
Books on Loan
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TECHNIQUE (scales)
Hanon (no assignment)
- No. 14
- Do no's 1, 2, 15, 18 and 19 in your Rhythm and Accent Practice Guide.
- No. 14
*Scales: Parallel
- Do 3 major and minor (natural form) scales each day
- Close Loud
- High Loud
- Legato: m.m. 88, 2 notes per tick, then 3 then 4 (2, 3 and 4 octaves)
- One time for each scale: breathe in slowly to the top and out slowly to the bottom.
- Staccato: m.m. 100, 2 notes per tick.
- C Major
- a minor
- G Major
- e minor
- D Major
- b minor
- A Major
- f-sharp minor
- E Major
- c-sharp minor
- B Major / C-flat Major
- g-sharp / a-flat minor
- F-sharp / G-flat Major
- d-sharp / e-flat minor
- C-sharp / D-flat Major
- a-sharp / b-flat minor
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MUSICIANSHIP (four star)
Four Star: Sight Reading & Ear Tests Level 4
- Finish Set 2
Rhythm (no assignment)
- Left off at 128
- Left off at 128
Solfege (no assignment)
- Chapter 8
- Prepare Nos. 35-36 at m.m. 100
- Chapter 8
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READING (Czerny)
Lesson & Musicianship 4 (no assignment)
- LEFT OFF AT PAGE 60.
Solos 3 & 4 (no assignment)
- PREPARE: page 32
Czerny Op. 823
- No. 26:
- LH: piano sprints! 4 measures at a time as fast as you can with higher wrists. shake it out and do four rounds.
- No. 26:
Bartok, Mikrokosmos Vol. 1 (no assignment)
- No. 36 - the most important aspect of this piece is the expression, Add your own.
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THEORY
One lesson needed with Tim from previous package
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REPERTOIRE
*Clementi Op. 36 No. 2 Movement 3
- Learn
*Etude in D Major Op. 37 No. 17 (Etude L.3)
- Start after Folk Dance
*Folk Dance by Kabalevsky (Etude L.4)
- Learn for your next lesson.
Etude in C Major by Carl Czerny Op. 261 No. 81 (Etude L.3)
- Build to m.m. 56.
*Bartok Sonatina Sz. 55: 1. Bagpipers (recital)
- This was sounding great. Remember to keep relaxed and don't go fast at this point. The movements and gestures are more important than speed and accuracy.
Scarlatti Sonata in C Major K 159 (recital)
- When you have difficult passages like the LH descending and the RH jumping to upper register notes, you tend to hold onto the notes. It's better to try to be relaxed and let go of the notes and make mistakes, rather than be tense and hold on to them. Your sound will be better when you're relaxed!
- m. 52 - staccato
- Hold on to the last notes of the pieces. Don't come off immediately after the trill.
- Think lighter in general - more playful and fun! Use your wrist (pop forward) when playing grace notes. This should feel easy. If it's not, you're doing something wrong with your wrist.
*Debussy: Children's Corner, L. 113, No. 1 Doctor Gradus ad Parnassum (recital)
- I'll hear this next time.
Haydn: Piano Concerto in D Major HobXVIII:11, Movement 3
- m. 1 - accent 1st and 2nd beats
- m. 2, 8, 10 - crescendo / pokey fingers
- m. 11: do the decrescendo and drop wrist into 2nd beat.
- mm. 39-50 - accent practice on each subdivision of of the beat: 1, 2, 3, 4 (use rhythms 15-19 on this section).
Sonatina Op. 36 No. 2 in G Major by Muzio Clementi
DO this a section at a time.
See new pencil markings. Take breaths between new sections.
Following dynamics in m. 5
RH dolce - LH legato
Stretch the idea in section 2.
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REVIEW
Remove 3 from the list below
Arabesque Op. 100 No. 2 by Johann Friedrich Burgmüller (L. 3 Etude)
Musette in D Major by J.S. Bach (L. 3 List A)
Clowns Op. 39 No. 20 by Dmitri Kabalevsky (L. 3 List C)
Sonatina in A Minor Op. 94 No. 4 by Albert Biehl (L. 3 List B)
Clementi, Sonatina Op. 36 No. 1 in C Major
Faure Dolly Suite
Turkish Bazaar by Mark Mrozinski (L.2, List B)
Kuhlau, movement 2
*"Allegro in B-flat" by W. A. Mozart
"Angelfish" by Anne Crosby (
"Celebration" by Anne Crosby
Sonatina in G Major by Beethoven
**Adieu by Bergmuller
**Chanson Italienne Op.39 No. 15 Tchaikovsky
Melodie Antique Francaise by Tchaikovsky
Innocence by Bergmuller
Pastorale by Bergmuller
La Candeur by Bergmuller
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PROSPECTIVE REPERTOIRE
- Mendelssohn Op. 30 No. 6 "Venetian Boat-Song No. 2"
- Moszkowski, Vingt Petites Etudes Op. 91 No. 10, 11
