2019-2020 Young Artist Enrollment: Full Year
High School tests Winter 2021 or Spring 2022
RCM Level 10 depends on high school enrollment
🟢 - on the right track, great work!
🟡 - on the right track but it needs more work
🔴 - needs lots of attention and work
⚫️ - no assignment - don’t practice this item.
🟣 - We didn’t get to this item,
LaGuardia Audition
Find requirement.
When is the date?
Radda International Piano Competition
Submitted.
New Orleans Virtual International Competition
Submitted. Results announced.
READING
🟡Beethoven Piano Sonatas, Khulau Sonatina, Bach French Suites.
Set the metronome and stick with it. NO FIXING MISTAKES
THEORY
⚫️Level 9
Score: 81 online.
TECHNIQUE
Beethoven pattern mm. 30-31
All keys
Focus is 16th notes quiet and close to keys.
Scales in broken octaves
All keys.
🟡Hanon: No. 18 TWO OCTAVES- work up to m.m. 120 per half note.
Next week E Major and B Major
Play repeatedly, with only 5 seconds break in between. Do this until you feel tired for two times.
Mm. 126 in C Major
RH - tilt into the 5th finger to get momentum for the following passage.
REPERTOIRE:
Arpeggios
Ticky Ticky Fingers
BAROQUE
Bach, Prelude and Fugue No. 11 in F Major, BWV 856
CLASSICAL
Beethoven, Sonata No. 6 in C Minor, Op. 10 No. 2 (L. 10, B)
MM. 1-4
Think of your tempo before you begin.
Softer beginning chords.
No ghost notes in chords.
Triplets softer than the beginning chords.
At least first two pages this week. Next week we learn the Recap. Following learn the development.
mm. 5-8
Sing RH more
LH no ghosts and
Beginning of 8, don’t slow so much.
mm. 16-18
Daggers less sharp
mm. 19-25
More pedal
Dream-like quality
octave before the sF - think of it as wider and a springboard to the sF
mm. 41-43
RH 32nds softer and part of the LH.
Fix the pedaling
mm. 44-45
Top voices
mm. 47-50
What is the texture here? What is important to hear and what’s not?
mm. 55-64
LH SOS technique - Spiders on Steroids.
Learn the development
ROMANTIC
Chopin, Nocturne in B-flat Minor, Op. 9 No. 1
Middle section: pickup the speed slightly. This drags at times.
Accented LH bass notes before the turn of section A - what’s unique about this?
m. 70 - LH quarter-note
Your RH accented high register notes - release the energy!
Think about where you can bring out the bass. Where can it support the melody?
CONTEMPORARY / POST-ROMANTIC
Maurice Ravel (1875-1937), Prélude from Le Tombeau de Couperin M68a
Repertoire for Review
BAROQUE
Johan Sebastian Bach (1685-1750)
French Suite No. 4 in E-flat Major BWV 815
Allemande (L. 7, A)
Gigue (L. 7, A)
Invention No. 4 in D Minor, BWV 775
Invention No. 8 in F Major, BWV 779
Invention No. 12 in A Major, BWV 783 (L. 8, A)
Invention No. 15 in B Minor, BWV 786 (L. 8, A)
Sinfonia No. 8 in F Major, BWV 794 (L. 9, A)
Domenico Scarlatti (1685-1757)
Sonata in E Major, K 531 (L. 8, A)
Sonata in G Major L 487, Domenico Scarlatti (L. 9, A)
Sonata in E Major K380, Domenico Scarlatti (L. 9, A)
CLASSICAL
L. V. Beethoven (1770-1827)
Sonata Op. 10 No. 1 in C Minor (No. 5)
Movement II
Movement III
Sonata in G Minor, op. 49, no. 1 (L. 8, B)
Sonata in G Major Op 49 No. 2 (L. 8, B)
Muzio Clementi ()
Six Sonatinas, Op. 36
No. 1 in C Major
No. 2
No. 3
No. 4
No. 5
No. 6
Haydn
Piano Sonata, No. 53 in E Minor, Hob. XVI:34 (L. 9-B)
Movement III: Presto
Friedrich Kuhlau (1786-1832)
Sonatina in C Major Op. 88 No. 1 (L. 7: B)
Wolfgang Amadeus Mozart (1756-1791)
Sonata in C Major, K 545, Allegro (L. 8, B)
ROMANTIC
Johann Friedrich Franz Burgmüller (1806-1874)
The Storm Op. 109 No. 13 (L. 8, Etude)
Frederic Chopin (1810-1849)
Valse Op 69 No. 1 (L. 8, C)
Waltz Op. 69 No. 2 in B minor (L. 8, C)
Chopin Waltz in F Major Op. 34 No. 3
Edvard Grieg (1843-1907)
Humoreske in C Major Op. 6 No. 3 (L. 8, C)
Notturno, Op. 54 No. 4
Felix Mendelssohn (1809-1847)
Gondellied (Barcarole) in A Major (L. 8, C)
Robert Schumann (1810-1856)
Album für die Jugend, Op. 68 No. 12 Knecht Rubrecht (L. 8, C)
CONTEMPORARY / POST-ROMANTIC
Claude Debussy (1862-1918)
Children’s Corner:
Doctor Gradus ad Parnassum (L. 10, D)
The Little Shepherd (L. 8, D)
Page d’Album (L. 8, D)
Gabriel Fauré (1845-1924)
Improvisation in C-sharp minor Op. 84 No. 5 from Huit Pièces Brèves (L. 9 Etude)
Barcarolle Op. 26 No. 1 in A Minor
Sergei Rachmaninoff (1873-1943)
Etude Tableaux, Op. 33 No. 7 in G Minor
Maurice Ravel (1875-1737)
Prelude in A Minor (L. 8, D)
Alexander Scriabin ()
Twenty-Four Preludes, Op. 11 No. 22 by (L. 8, D)
Sergei Prokofiev ()
Op. 65 No. 6 Waltz (L. 7: C)
Op. 65 No. 12
J. S. Bach: Little Prelude in C Major, BWV 933 (L. 7)
Granados, Cuentos de la juventud Op. 1 No. 9: La huerfana (L. 7)
Mignon Op. 68 No. 36 by Robert Schumann (1810-1856) (L. 6 List C)
Diabelli, Sonatina in F Major Op. 168 No. 1, movement III (L. 6 List B)
Kabalevsky, Toccatina Op. 27 No. 12 (L. 6) (1904-1987)
Haydn Hob.XVI No. 8
Burgmuller Op. 109 No. 7 Berceuse
Kabalevsky Etude in A Minor
Beethoven Sonatina in F Major Anh 5 No. 2
Bartok Sonatina Sz. 55: 1. Bagpipers (recital
Scarlatti Sonata in C Major K 159 (recital)
Clementi, Six Sonatinas Op. 36
__________________________________________
Kaufman Piano Competition: applications by March 1st
JUNIOR DIVISION 2: AGES 11-14
Preliminary YouTube Round: Up to 15 minutes of music,
Contestant's choice. (Needs to include at least one fast-paced work.)
Semi-Final Round: Up to 20 minutes
1. One Baroque polyphonic work
2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
3. One or more pieces at the participant's discretion
Finals: Up to 25 minutes
1. A Classical sonata (or first or last movement)
2. One or more compositions from the Romantic era
3. One or more Contemporary pieces, written after 1950
One work from semi-final round may be repeated.
Works from preliminary round can be performed at the semifinal or the final rounds.
Repertoire Goals
Counterpoint
Bach Invention No. 8
Bach Gigue from French Suite…
Scarlatti Sonata K…
Handel Movement from Suite…
Bach Invention No…
Etudes
Kabalevsky Etude in A Minor Op. 27 No.8
Due November 8th
*Burgmuller Op. 100 No. 23 Le Retour
(repeated chords)
*Burgmuller Op. 109 No. 1 Confidence
*Burgmuller Op. 109 No. 8 Agitato
Rotating balance
*Burgmuller Op. 109 No. 10 La Vélocité
16th note Passage work
*Burgmuller Op. 109 No. 14 Refrain du Gondolier
*Burgmuller Op. 109 No. 18 La Fileuse
Mendelssohn Op. 140
Clementi…
Czerny Op. 740
Moszkowski Op. 72 No. 1…
Sonatinas
Clementi Op. 36 No. 4
Performance Ready on November 8th
Diabelli Op. 151 or 168
Clementi Op. 36 No. 5
Haydn Hob.XVI No. 8 or No. 7
Kuhlau Op. 20 No. 1, Op. 55 No. 3, 4 or Op. 88 No. 4
Clementi Op. 36 No. 6
Contemporary / Modern - Late 19th & 20th Century
Kabalevsky
Prokofiev
Debussy
ROMANTIC
Paderewski: Humoresque de Concert “Minuet”
Contemporary / Modern - Post 1950
Mendelssohn Op. 30 No. 6 "Venetian Boat-Song No. 2"
Moszkowski, Vingt Petites Etudes Op. 91 No. 10, 11
2018-2019 Goals
Jr. High applications - which schools?
Kaufman Competition
JUNIOR DIVISION 2: AGES 11-14
Preliminary YouTube Round: Up to 15 minutes of music,
Contestant's choice. (Needs to include at least one fast-paced work.)
Semi-Final Round: Up to 20 minutes
1. One Baroque polyphonic work
2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
3. One or more pieces at the participant's discretion
Finals: Up to 25 minutes
1. A Classical sonata (or first or last movement)
2. One or more compositions from the Romantic era
3. One or more Contemporary pieces, written after 1950
One work from semi-final round may be repeated.
Works from preliminary round can be performed at the semifinal or the final rounds.All application materials must be postmarked by March 1, 2019 and submitted by mail and/or email to:
