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    • GLEDHILL, Mindy
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    • GUPTA, Riya
    • MANICE, Finley (1)
    • MANICE, Mae
    • MANICE, Oliver (2)
    • MOORE, Kate (3)
    • MOORE, Wyatt (2)
    • PRIEGO, Alvar Balaji
    • PRIEGO, Manu Balaji
    • ROBER, Daniel (1)
    • ROBER, Genevieve (2)
    • VINBOR COSTA SANTOS, Emilia (2)
    • WANG, Jasper (2)
    • WANG, Jenny (3)
  • THE BOHEMIANS: NEW YORK MUSICIANS' CLUB

November 4, 2023

November 12, 2023 Dustin Gledhill
  1. đź’šHanon No. 51: (5 min)

    1. Play through the entire exercise (minus the introduction of 8 mm.).

    2. Don’t stop when you get tired, just slow down

    3. Think about a smoother movement

  2. đź’šScales & Arpeggios (5-7 min)

    1. đź’šE-flat Major (legato!) push to at least m.m. 144 per quarter note.

      1. Arpeggios

      2. Scales

    2. E-flat Minor

      1. Arpeggios

      2. Scales

      3. Remember to do at least 3 times correctly for each item, each practice session.

💚“Sightreading Pieces” in you Newzik. DAILY

  1. Bach: Well Tempered Clavier: Read the preface

    1. Sight-read through. Repeat the Fugues or any one that’s difficult.

      1. Keep a record or note of which ones you like.

        1. Book I: No. 3 in C-sharp major, No. 6 in D minor.

  2. Bach, 15 Inventions (completed)

    1. Finished

  1. đź–¤Beethoven Piano Sonatas (paused at op. 27 no. 1)

  2. đź–¤Brahms Piano Works (Paused at p. 12)

  3. Shostakovich, Children’s and Easy Pieces, Op. 69 (finished March, 2023)

  4. Tchaikovsky, Album for the Young, op. 39 (finished November 3, 2022)

  5. Grieg Lyric Pieces in Newzik (op. 54) (finished August 2022)

25-30 Min Competition Program:

  1. Option One:

    1. Rameau: Govotte et Six Doubles (7:00)

    2. Fauré: Nocturne No. 5

    3. đź’šDutilleux: Sonata: Choral et Variations (11:00)

  2. Option Two:

    1. Classical Sonata:

    2. Bach: Prelude and Fugue:

    3. Romantic work:

Current Solo Program:

  1. Handel: Chaconne In G Major, HBV 435 (5:50 min)

  1. Haydn: Piano Sonata, No. 59 in E-flat Major Hob. XVI:49: (6:00 min)

    1. I: Allegro

  2. Rachmaninov: Preludes, Op. 23 Nos. 4 and 5

  3. Debussy: Images

  4. Gershwin: Prelude No. 1

  5. ❤️Modern:

  6. ❤️Etudes:

LISTENING ASSIGNMENTS:

  1. Listen to the Kauffman required repertoire.

  2. CHOPIN: (listen with music)

    1. Nocturnes âś…

    2. Ballades, 1 - 4 âś…

    3. Polonaise

    4. Sonatas

    5. Valses

    6. Mazurkas

    7. Impromptus

    8. Concerti

    9. Etudes

    10. Preludes đź’›

BAROQUE

CLASSICAL

  1. Beethoven Op. 31 no. 3 in E-flat Major

ROMANTIC

  1. Rachmaninoff

    1. Etudes-tableaux op. 39 no. 1 and 5

  2. Liszt

    1. 2 concert etudes, No. 1

      1. Speed-build mm. 15 and on with melody octaves and ONLY bass notes to performance level.

      2. Learn to molto a passionate

  3. Chopin

    1. 24 Préludes, Op. 28

      1. đź’š(REVIEW) No. 10 in C-sharp minor: Molto allegro

        1. RH runs: sparkling tops notes - be aware of RH shoulder position. More articulate / crisp.

        2. LH chords: further in the background. Less pedal - shorter pedal. Consistency with pedal.

        3. Two-measure melodic sections: melody should always be present.

      2. đź’š(REVIEW) No. 8 in F-sharp minor: Molto agitato

        1. Medium tempo practice.

      3. No. 13 in F-sharp major: Lento

      4. No. 16 in B-flat minor: Preso con fuoco

      5. No. 19 in E-flat major: Vivace

      6. No. 22 in G minor: Molto agitato

    2. Ballade No. 1 in G minor, Op. 23

      1. Study the form

      2. Harmony

    3. 12 Etudes Op. 10

      1. No. 1 in C Major

    4. 12 Études Op. 25:

      1. No. 2 in F minor

      2. đź’śNo. 12 in C minor

      3. No. 11 in A minor

      4. No. 10 in B minor

    5. Sonata No. 3 in B minor, Op. 36

IMPRESSIONISTIC / POST-ROMANTIC

  1. .

MODERN / 21st Century

  1. đź’šDutilleux: Sonata: Choral et Variations (11:00)

    1. Variation II:

    2. REMEMBER TO ACCENT LIKE CLOSE LOUD AND WITH STRONG INTENTION ON ANY LANDING POINT IN TECHNICAL PRACTICE.

      1. Practice from m. 175- going into the new texture.

        1. RH chromatic ascending strong sweep

        2. Immediate textural change in m. 182.

        3. LH melody voicing like Chopin nocturne.

      2. Mm. 151-166 sprints in 2, 3, 4, 5, 6, etc. until you can do the whole section. This needs much more accent and pointed above-the-key approach. Double/triple hits if needed.

      3. Places like mm. 189-191: Sprints in 6, rotating the starting point. Think ahead to the landing point (close loud) before you try. If needed, groups of 9 and 12.

      4. Mm. 167-181: LH much shorter, RH legato. Do accent sprints rotating, then accent practice at normal speed.

      5. Continue the performance practice up to 224 (at least)

        1. BTW if you are doing sprints / accent practice on new parts, make the chunk very small (2-3 notes each chunk).

CONCERTI

  1. đź’šSchumann, Piano Concerto in A Minor

    1. Mm. 131-134 - wrist movement in octaves.

    2. Mm. 128-131 - two short, one longer phrase. Lighten up two lower notes of chords. Dont’ get stuck with your 2nd and 4th beats.

    3. Letter F section: bring out bass notes

    4. Learn past letter G

Prospective Repertoire:

  1. Bach: Partita No. 4

  2. Rameau: Gavotte et Six Doubles

  3. Beethoven: Sonata

  4. Romantic Option:

    1. Brahms: Rhapsody

    2. Fauré:

      1. Nocturnes: 5, 6, 13,

      2. Valse-Caprice No. 2

    3. Chopin:

      1. Scherzo No. 2 or 3

  5. Chopin:

    1. Etudes

    2. Scherzo No. 2 or 3

  6. Schumann: Piano Concerto in A Minor

  7. Ravel:

  8. Rachmaninov: Prelude Op. 32 No. 12, Op. 23 No. 4 and 5

  9. Modern:

    1. Bartok Piano Sonata

    2. Dutilleux: Sonata: Choral et variations / Prelude

    3. Messiaen: Prelude / Vingt Regards sur l’enfent Jesus

    4. Berg Piano Sonata

    5. Ligeti:

Cleveland International

Van Cliburn International

Kaufmann:

DEADLINES & SCHEDULE

DEC 1 â€“ Application portal open
FEB 13 â€“ Deadline to submit application with preliminary round recording
MAR 20 â€“ Results of the preliminary round announced
APR 15 â€“ Semifinal round recordings due
Early May â€“ Finalists announced
JUNE 26 & 27 â€“ Finals take place in person at Merkin Hall
JUNE 28, 2 pm â€“ 
Winners' Concert at Merkin Hall


Preliminary YouTube Round

– Up to 20 minutes of music
Contestant's choice (needs to include at least one fast-paced work)

Semi-Final Round

(2:20) Bach: Prelude and Fugue No 11 in F Major, BWV 856

(4:30) Liszt: Etude

(5:00) Debussy: Images: Livre I: Reflet fans l’eau

(11:00) Dutilleux: Sonata Movement III

– Prerecorded: Up to 25 minutes. Must be recorded in one take, no editing is allowed. (One camera, hands are visible at all times).  

  • One virtuoso etude by Chopin, Liszt, Debussy, Rachmaninoff, Scriabin, Prokofiev, etc.

  • One Baroque polyphonic piece

  • One or more pieces at the participant's discretion

Final Round

(0:00) Beethoven / Mozart Sonata

– Up to 40 minutes of music

  • First movement (or all movements) of a Classical sonata
     

  • One or more works from the compositions below:
     

    • One movement or more from: William Grant Still – 3 Visions:

      • Dark Horsemen

      • Summerland

      • Radiant Pinnacle
         

    • One movement or more from: Amy Beach – 4 Sketches Op. 15 

      • In Autumn

      • Phantoms

      • Dreaming

      • Fire-Flies
         

    • Amy Beach: "A Hummingbird," Op. 128  No. 3
       

    • Aldo Lopez-Gavilan Suite for Piano – Movement No. 2
       

    • One Prelude or more from: Lera Auerbach – Preludes
       

    • One of the works below by Robert Nathaniel Dett:

      • In the Bottoms: IV Barcarolle

      • In the Bottoms: V Juba Dance

      • Magnolia Suite: 1. Magnolias

      • Magnolia Suite: 5. The Place Where the Rainbow Ends
         

  • One or more pieces at the participant's discretion 

Please note that one or more compositions from the Romantic era must be included in the competition repertoire, in either semifinal or final round.

One work from semi-final round may be repeated in the finals. Works from preliminary round can be performed at the semifinal or the final round.

GINA BACHAUER INTERNATIONAL JUNIOR &

YOUNG ARTISTS PIANO COMPETITIONShttps://crescendocompetition.org/international-competition/

🛑New York International Piano Competition (June 2026)

  1. https://thenyipc.org/competition/

đź’šPacific Stars International Piano Competition

  1. Virtual 2024

  2. https://www.pacificstars.org/professionalwinners

đź’šCapital Philharmonic of New Jersey

  1. Video recording: Mendelssohn

đź’šBravura 2023 Young Artists Concerto Competition

  1. Video recording: Mendelssohn

đź’šHill Concerto Competition

  1. Dec 1st deadline

  2. Recording of Mendelssohn

  3. ❤️Dustin: Edit video

đź’šLyra (NYC DiMenna Center)

  1. 6 min min: two contrasting piece.

  2. Due end of January

đź’šPortugal

  1. June 30, 2024

  2. Schumann

Music Teachers National Association (Senior)

  1. 2024

Nazareth University Competition

  1. 2024

Kaufmann

  1. June 2024

The Claudette Sorel Piano Competition & Piano Fellows Program

  1. 2024

GAC Mentorship Program

  1. Technique

  2. Musicianship

  3. Theory

  4. Repertoire

Interlochen Summer: June 17-23 (confirmed

  1. All five 2023 recital pieces

NOPI: July 15th

  1. Mendelssohn

2023 Radda Rise International Piano Competitio

  1. Participated

Bohemians Young Artists Piano Competition

  1. Received Honorable Mention

2021 Radda Rise International Piano Competition

  1. 2nd Place in Division 2: October 5, 2021

Music Teacher’s National Association

  1. Compete in 2024

New Orleans Virtual International Competition

  1. Submitted. Results announced

  2. Compete in 2023

CONCERTI

  1. Haydn

    1. Piano Concerto in D Major, Hob:XVIII:11

      • Movement 3: Rondo all’Ungarese: Allegro assai

  2. Mendelssohn:

    1. Concert No. 2 in D Minor, (Movement 3)

BAROQUE

  1. Händel

    1. Chaconne in G Major, HVB 435

  2. Johan Sebastian Bach (1685-1750)

    1. Prelude and Fugue No. 11 in F Major, BWV 856 (L. 10, A)

      1. prelude

    2. French Suite No. 4 in E-flat Major BWV 815 (L.

      1. Allemande (L. 7, A)

      2. Gigue (L. 7, A)

    3. Invention No. 4 in D Minor, BWV 775

    4. Invention No. 8 in F Major, BWV 779

    5. Invention No. 12 in A Major, BWV 783 (L. 8, A)

    6. Invention No. 15 in B Minor, BWV 786 (L. 8, A)

    7. Sinfonia No. 8 in F Major, BWV 794 (L. 9, A)

  3. Domenico Scarlatti (1685-1757)

    1. Sonata in E Major, K 531 (L. 8, A)

    2. Sonata in G Major L 487, Domenico Scarlatti (L. 9, A)

CLASSICAL

  1. L. V. Beethoven (1770-1827)

    1. Sonata Op. 10 No. 1 in C Minor (No. 5)

      1. Complete

    2. Sonata Op. 10 No. 2 in F Major (No. 6) (L. 10, B)

      1. I. Allegro

    3. Sonata in G Minor, op. 49, no. 1 (L. 8, B)

    4. Sonata in G Major Op 49 No. 2 (L. 8, B)

  2. Muzio Clementi ()

    1. đź–¤Six Sonatinas, Op. 36

      1. No. 1 in C Major

      2. No. 2

      3. No. 3

      4. No. 4

      5. No. 5

      6. No. 6

  3. Haydn

    1. Piano Sonata, No. 53 in E Minor, Hob. XVI:34 (L. 9-B)

      1. III: Presto

    2. Piano Sonata, No. 59 in E-flat Major Hob. XVI:49:

      1. I: Allegro

  4. Wolfgang Amadeus Mozart (1756-1791)

    1. Sonata in C Major, K 545, Allegro (L. 8, B)

ROMANTIC

  1. Johann Friedrich Franz BurgmĂĽller (1806-1874)

    1. The Storm Op. 109 No. 13 (L. 8, Etude)

  2. Frederic Chopin (1810-1849)

    1. Valse Op 69 No. 1 (L. 8, C)

    2. Waltz Op. 69 No. 2 in B minor (L. 8, C)

    3. Chopin Waltz in F Major Op. 34 No. 3

    4. Chopin, Nocturne in B-flat Minor, Op. 9 No. 1

  3. Edvard Grieg (1843-1907)

    1. Humoreske in C Major Op. 6 No. 3 (L. 8, C)

    2. Notturno, Op. 54 No. 4

  4. Felix Mendelssohn (1809-1847)

    1. Gondellied (Barcarole) in A Major (L. 8, C)

  5. Sergei Rachmaninoff (1873-1943)

    1. Etude Tableaux, Op. 33 No. 7 in G Minor

    2. Prelude op. 23 no. 4 in D Major

    3. đź’šPrelude op. 23 no. 5 in G Minor

  6. Robert Schumann (1810-1856)

    1. Album fĂĽr die Jugend, Op. 68 No. 12 Knecht Rubrecht (L. 8, C)

IMPRESSIONISTIC / POST-ROMANTIC

  1. Claude Debussy (1862-1918)

    1. Images: Livre I

      1. Reflets dans l’eau

    2. Children’s Corner:

      1. Doctor Gradus ad Parnassum (L. 10, D)

      2. The Little Shepherd (L. 8, D)

    3. Page d’Album (L. 8, D)

    4. Préludes, Book 2, L. 123

      1. 5, Bruyères

      2. 6. “General Lavine” - eccentric

  2. Gabriel Fauré (1845-1924)

    1. Improvisation in C-sharp minor Op. 84 No. 5 from Huit Pièces Brèves (L. 9 Etude)

    2. Barcarolle Op. 26 No. 1 in A Minor

  3. Maurice Ravel (1875-1737)

    1. Prelude in A Minor (L. 8, D)

  4. Alexander Scriabin ()

    1. Twenty-Four Preludes, Op. 11 No. 22 by (L. 8, D)

  5. Sergei Prokofiev ()

    1. Op. 65

      1. No. 6 Waltz (L. 7: C)

      2. No. 12

MODERN / 21st CENTURY

2023 Final Recital

  1. 1:00 pm

    1. Gershwin

    2. Debussy, Reflets dans l’eau

    3. Handel (5:50)

  2. 3:00 pm

    1. Haydn (6:00)

    2. Rachmaninoff (4:23

← November 14, 2023October 20, 27 & 31, 2023 →

Mailing Address: 16 Madison Square West, 12th Floor, PMB#133, New York, NY 10010

Email: info@GledhillArtsCollective.com Fax: 917.268.9629