2019-2020 Young Artist Enrollment: Full Year
Royal Conservatory of Music Certificate Program:
#15W0176961 Level 7 Piano, New York: Manhattan, Dec 7, 2019 9:16 AM
Kaufman Piano Competition
TECHNIQUE
Trill Independence
Trill in one hand using all fingering combinations: 1-2, 1-3, 2-3, 2-4, 3-4, 3-5, 4-5
Play random notes at different speeds in the other hand.
Goal is keep the trill fluent and steady.
RCM Technique No. 7
One key per day.
Chord Progressions: speak the chords out loud before you play them.
Main Goal: Form (besides notes and fingering, duh)
READING
FOUR STAR: Sightreading and Ear Tests 7
Finish Set 6
Zoom out look at the rhythm first.
THEORY
Level 7:
Do the review quiz
REPERTOIRE
RCM REPERTOIRE LEVEL 7
LINK: https://www.gledhillartscollective.com/piano-level-7
TERMS
Read about Allemande, Gigue and Invention.
ETUDES (choose one to begin)
(new) Ludvig Schytte (1848-1909)
Jumping Competition Op. 107 No. 10
(new) Carl Czerny (1791-1857)
Etude in G Major Op. 823 No. 63
(new) Henry Lemoine (1786-1854)
Etude in G Minor Op. 37 No. 31
Dmitri Kabalevsky (1904-1987)
Etude Op. 27 No. 3
BAROQUE
C.P.E. Bach: Sonata in E Minor, Wq 62/12, H 66 (L. 7)
Learn after No. 2 below.
J. S. Bach: Little Prelude in C Major, BWV 933 (L. 7)
Learn hands alone, then together. SLOWLY. Exaggerate all expressive markings.
J.S. Bach: French Suite No. 4 in E-flat Major BWV 815: Allemande (L. 7)
Starting from m. 15 to the end. Perform for me at one tempo next lesson.
One measure at a time:
5 times slo-mo.
Play the harmony - what chords are you playing?
**J.S. Bach: French Suite No. 4 in E-flat Major BWV 815: Gigue (L. 7)
Record yourself doing a performance
Listen for the spots that are mushy and that don’t have a clear beat.
Do accent practice on every smallest division of the beat in each measure.
CLASSICAL
Clementi, Sonatina No. 6, Movement 1
Have performance ready next week at final tempo.
ROMANTIC
**Granados, Cuentos de la juventud Op. 1 No. 9: La huerfana
Expression
Push tempo forward a bit more.
CONTEMPORARY
**Sergei Prokofiev, Op. 65 No. 6 Waltz (L. 7)
Practice in two-phrase chunks.
Your notes are not solid enough to be able to experiment with the interpretation. Get this done!
On Hold:
**TECHNIQUE
**Hanon
No. 20, 13, 5
Speed build to mm112
Play through at final tempo
Identify dirty spots
All transitions:
HL
CL
Staccato
Accents
MT
Repeat as necessary
Entire thing through, three times correctly.
Bartok Mikrokosmos 2
PREPARE: Nos. 37 - 41
Czerny Op. 823 (no assignment)
Left off at no. 42
Solfege
Chapter 8
Prepare Nos. 35-36 at m.m. 100.
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REVIEW
Mignon Op. 68 No. 36 by Robert Schumann (1810-1856) (L. 6 List C)
Allegro in F Major by Johann Nepomuk Hummel (1778-1837) (L. 6 Etude)
Diabelli, Sonatina in F Major Op. 168 No. 1, movement III (L. 6 List B)
Kabalevsky, Toccatina Op. 27 No. 12 (L. 6) (1904-1987)
Haydn Hob.XVI No. 8
Prokofiev OP. 65 No. 12
Burgmuller Op. 109 No. 7 Berceuse
Clementi Sonatina No. 4 Op. 36
Kabalevsky Etude in A Minor
Beethoven Sonatina in F Major Anh 5 No. 2
Bach Invention No. 8
Etude In C Major by Concone (Level 6)
The Happy Farmer Op. 68 No. 10 by Robert Schumann (level 4)
Sweet Sorrow Op. 100 No. 16 by J. F. Burgmuller (level 5 etude)
Cradle Song (level 4 etude)
Kabalevsky - A Slow Waltz Op. 39 no. 23
Foggy Bottom Blues (level 4
Bartok Sonatina Sz. 55: 1. Bagpipers (recital
Scarlatti Sonata in C Major K 159 (recital)
Masquerade by Linda Niamath (Etude L.4
Allegro in G Major (L. 4)
Dragon Fly (Etude L. 4)
Bartok, Dance in E Minor
Clementi Op. 36 No. 2 Movement 3
Etude in D Major Op. 37 No. 17 by Henry Lemoine (Etude L.3)
Etude in C Major by Carl Czerny Op. 261 No. 81 (Etude L.3)
Folk Dance by Kabalevsky (Etude L.4)
Arabesque Op. 100 No. 2 by Johann Friedrich Burgmüller (L. 3 Etude)
Musette in D Major by J.S. Bach (L. 3 List A)
Clowns Op. 39 No. 20 by Dmitri Kabalevsky (L. 3 List C)
Sonatina in A Minor Op. 94 No. 4 by Albert Biehl (L. 3 List B)
Clementi, Sonatina Op. 36 No. 1 in C Major
Faure Dolly Suite
Bazaar by Mark Mrozinski (L.2, List B)
Kuhlau, movement 2
*"Allegro in B-flat" by W. A. Mozart
"Angelfish" by Anne Crosby (
"Celebration" by Anne Crosby
Sonatina in G Major by Beethoven
**Adieu by Bergmuller
**Chanson Italienne Op.39 No. 15 Tchaikovsky
Pastorale by Bergmuller
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Repertoire Goals
Counterpoint
Bach Invention No. 8
Bach Gigue from French Suite…
Scarlatti Sonata K…
Handel Movement from Suite…
Bach Invention No…
Etudes
Kabalevsky Etude in A Minor Op. 27 No.8
Due November 8th
*Burgmuller Op. 100 No. 23 Le Retour
(repeated chords)
*Burgmuller Op. 109 No. 1 Confidence
*Burgmuller Op. 109 No. 8 Agitato
Rotating balance
*Burgmuller Op. 109 No. 10 La Vélocité
16th note Passage work
*Burgmuller Op. 109 No. 14 Refrain du Gondolier
*Burgmuller Op. 109 No. 18 La Fileuse
Mendelssohn Op. 140
Clementi…
Czerny Op. 740
Moszkowski Op. 72 No. 1…
Sonatinas
Clementi Op. 36 No. 4
Performance Ready on November 8th
Diabelli Op. 151 or 168
Clementi Op. 36 No. 5
Haydn Hob.XVI No. 8 or No. 7
Kuhlau Op. 20 No. 1, Op. 55 No. 3, 4 or Op. 88 No. 4
Clementi Op. 36 No. 6
Contemporary / Modern - Late 19th & 20th Century
Kabalevsky
Prokofiev
Debussy
ROMANTIC
Paderewski: Humoresque de Concert “Minuet”
Contemporary / Modern - Post 1950
Mendelssohn Op. 30 No. 6 "Venetian Boat-Song No. 2"
Moszkowski, Vingt Petites Etudes Op. 91 No. 10, 11
2018-2019 Goals
Jr. High applications - which schools?
Kaufman Competition
JUNIOR DIVISION 2: AGES 11-14
Preliminary YouTube Round: Up to 15 minutes of music,
Contestant's choice. (Needs to include at least one fast-paced work.)
Semi-Final Round: Up to 20 minutes
1. One Baroque polyphonic work
2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
3. One or more pieces at the participant's discretion
Finals: Up to 25 minutes
1. A Classical sonata (or first or last movement)
2. One or more compositions from the Romantic era
3. One or more Contemporary pieces, written after 1950
One work from semi-final round may be repeated.
Works from preliminary round can be performed at the semifinal or the final rounds.All application materials must be postmarked by March 1, 2019 and submitted by mail and/or email to:
