🔴 - This was not prepared or it needs a lot of attention and focus this week.
🔵 - We didn’t get to this item but we may look at it next week.
🟡 - On the right track but it needs detailed attention.
🟢 - On the right track, great work!
⚫️ - No assignment this week. Do not practice this item.
Lesson Assignments
Royal Conservatory of Music Certificate Program: May 19th 12:15 pm
Level 3
List A: Musette in D Major, BWV Anh. 126 by Johann Sebastian Bach
List B: Clementi Sonatina no. 1
List C: Funny Puppy by Anne Crosby Gaudet
Etude: L’Arabesque
Etude: Left Alone
TECHNIQUE
RCMCP Technique Level 3 (Close loud, then final tempo for each one)
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See your RCM Syllabus for markings and notes
HANON NO. 9
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C Major (please correct your mistakes if you make them while practicing Close Loud and Staccato).
Close Loud at m.m. 96, one note per tic
If you make a mistake, you need to go back one rotation and fix it.
REMEMBER SHOULDERS RELAXED, CHEST OUT AND FORWARD, NECK RELAXED.
Then, Staccato at m.m. 104, two notes per tic
Relaxed shoulders
Legato m.m. 84 per half note
Ultimate Oiled Fingers (legato)!
Keep fingers close to the keys.
(No. 10: Left off at m.m 104 in C Major)
(No. 8: left off at m.m. 72 in F Major)
THEORY: Level 3
Unit 6
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Print Unit 6 and we’ll look at it next time.
MUSICIANSHIP
Four Star Sightreading and Ear Tests: Level 3
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Go back to the beginning of the book and do them over :)
REMEMBER: the goal with sight-reading is to develop the skill of moving on from the mistake
Sight-reading: don’t go back and fix mistakes.
READING
Piano Adventures: Sightreading, Level 2B
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Before you begin, do the rhythm in your head (not thinking about the tones - JUST THE RHYTHM)
Move on from page 14. You’re doing well here!
Please prepare silently in your mind for at LEAST 30 seconds before you begin any sightreading exercise.
REPERTOIRE:
Left Alone by Joyce Grill (b. 1936)(L. 3, Etude)
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This is the best I’ve ever heard you play Left Alone!
L’Arabesque, op. 100 no. 2 (L. 3, Etude)
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I loved your steady pulse. This was rock solid.
Last descending pentascale: you need to approach this with confidence. You have to convince yourself that you’re going to play it correctly, just before you get there (Let Polaris chase away the dinosaur).
Clementi, Op. 36 No. 1, Movement 3 (L. 3, B)
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See comment number 2 above in regards to your 16th note passages.
The only thing this is missing is a bigger contrast in dynamics.
Musette in D Major, BWV Anh. 126 by Johann Sebastian Bach (1665-1750)(L. 3, A)
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This was a little sloppy today. I think it just lacked a little focus. Remember to re-focus before you start EACH piece.
Funny Puppy by Anne Crosby Gaudet (L. 3, C)
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Polaris was happy about this one. :P)
Repertoire Review List:
Rotate these each week. I will hear one of them each week and not in any particular order.
💚Little Piece No. 7 by Marko Tajcevic (L. 3, Etude)
💚German Dance in B-flat Major, Hob. IX:22, no. 5 by Franz Joseph Haydn (1732-1809) (L. 2, A)
🟢Atacama Desert by Wynn-Anne Rossi (b. 1956) (L. 2, B)
🟢Ecossaise in G Major WoO 23 by Ludwig van Beethoven (1770-1827) (L. 2, A)
🟢Menuetto in C Major by Wolfgang Amadeus Mozart (1756-1791) (L. 2, A)
🟢Allegretto in C Major by Christian Gottlob Neefe (1748-1798) (L. 2, A)
🟢Invention in C Major by Renée Christopher (L. 2, C)
🟢Clementi, Op. 36 No. 1, Movement 3 (L. 3, B)
💚Cornelius Gurlitt 1820-1901) Etude in D Minor, Op. 82 No. 65 (L. 2, Etude)
Careful of hiccups in the pedal
🔵Colored Windows by Edna Mae Burnam (L. 2, Etude)
🔵Feelin’ Good by Christopher Norton (L. 2, Etude)
💛🔵Etude in C Major Op 36 No. 22 by Alexander Gedike (L. 2, Etude)
🔵Burgmuller, The Limpid Stream, Op. 100 No. 7 (non-RCM)
🔵Burgmuller, Innocence. Op. 100 No. 5
🔵Ann Crosby-Gaudet, Periwinkle Twinkle (L. 2 B)
