Final Recital
May 30th, 2:30 pm
Group Class
May 2nd / 3rd
Lesson Assignments
Mary Beth please talk with Danial about doing level 2 now or waiting to do level 3 later
🟩Musette in D Major, BWV Anh. 126 attr. Johann Sebastian Bach (L. 3, A)
Start to learn!
Create questions about the piece (theory-style). At least 10.
Then start to learn in chunks with the NFPER method, hands alone, then together.
🟩Sonatina in C Major, op. 36 no. 1, Allegro by Muzio Clementi (L. 3, B)
One more week of focus on position: including round fingers, 5th finger position.
m. 28-29, 32 & 34 - RH 5th finger position up and shorter notes (quarter notes).
m. 38 - scale technque position in the RH - don’t drop or twist wrist when paying the thumb.
“spot practice” m. 30
m. 23 do the piano marking.
🟩Sonatina in A Minor op. 94, no. 4, Allegro moderato by Albert Biehl (L. 3, B)
🟥m. 37: three things
Timing: slow down gradually (see the recording labled 36-38 timing in Newzik)
Rest: RH has a rest.
Pedal: See the new pedal markings.
🟩Sight-reading 2B
Complete pages 20-25 of the next PDF
🟩RCM Technical Requirements: Level 3
Page 10: prepare the chords.
🟨B-flat Major - fix fingering
Continue to teach your muscle memory:
Keep your wrist up when you play thumbs.
Fingers Round
Smooth Sound
🟩RCM Technical Requirements: Level 2
Work on position (no fingers collapsed) and fix B-flat Major scales
🟩Four Star Level 2: RCM Ear Training Online Tool
The following are notes after working through some examples with Daniel at the lesson:
Rhythm Notes:
Don’t worry if your claps don’t line up EXACTLY with the orange dots (after you record when you see it displayed)
Clap loudly and closer to the iPad.
Melody Notes:
When you do the playback recordings, try to get the rhythm of the melody as well.
Intervals:
Only listen to the interval played one time before you select an anwer.
Chords
No issues here! 🎉
🟨 Theory Level 3: Unit 3
Self-correct any rhythmic issues in your theory (strong / weak idea)
🟩Etude in D Minor op. 82, no. 65 (L. 2, Etude)
Review by starting from random measures.
Make sure the the peak of the crescendo is NOT and accent.
🟪 Écossaise in G Major, WoO 23 by Ludwig van Beethoven (1770-1827) (L. 2, A)
Review by practicing starting from any measure of the piece.
POSITION IS FOCUS
🟪I Spy by Melody Bober (b. 1955) (L. 2, B)
Review by practicing starting from any measure of the piece.
POSITION IS FOCUS
🟪Farewell op. 98 no. 4 by Aleksandr Grechaninov (L. 2, C)
Review by practicing starting from any measure of the piece.
POSITION IS FOCUS
Level 3 Pieces
The Stormy Sea by Ann Crosby Gaudet (L. 3, C)
Minuet in G Minor BWV Anh. 115 by Christian Petzold (L. 3, A)
Musette in D Major, BWV Anh. 126 attr. Johann Sebastian Bach (L. 3, A)
Focus Tracker:
💚💚💛💛💚💛💜❤️💚💚💜❤️💚💜❤️🖤❤️❤️💚💚💚💚💚❤️💚💚🖤🧡💚💚💚💚🧡💚❤️🧡
(53 points)
❤️= 4 POINTS (+ bonus = no reminders)
💚= 3 POINTS
💛= 2 POINTS
💜= 1 POINT
🖤= 0 POINTS
HERE IS THE LINK TO I SPY PRACTICE VIDEO
https://www.videoask.com/f034bc97a
REVIEW LIST
Review the pieces on this list, with your music, one time each week.
💚Cranky Cat by Teresa Richert (b. 1964) (L. 1, C)
💚Far Away by Teresa Richert (b. 1864) (L. 1 Etude)
💚This Guy’s Disguised by Bradley Sowash (L. 1, B)
💚German Dance in D Major Hob. IX:22, no. 2 by Franz Jospeh Haydn (1732-1809) (L. 1, A)
💜Looking-Glass River by Nancy & Randall Faber (Prep. B)
💚Raptors by Kevin Olson (Prep. B)
💚New Shoes by Linda Niamath (Prep B)
💚The Lively Boy (Prep A)
💚Leaping the Waves with Dolphins (Prep B)
💚Curious Cat
💚Marching by Kabalevsky
🎨 Color-Focus Practice (NFPER)
At the top of your music, write NFPER using the following color system:
N – Notes – correct pitches and accidentals (🟥 Red)
F – Fingering – consistent, effective finger choices (🟨 Yellow)
P – Position – hand shape, posture, and keyboard geography (🟧 Orange)
E – Expression – phrasing, dynamics, articulation, tone, etc. (🟪 Purple)
R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)
✅ If you're only recording audio, just use NER.
Step-by-Step Practice Flow
Record your section once — video is best, but audio is fine too.
Listen back with one color/goal in mind.
As you listen, mark your music using that color anywhere it needs improvement.
Repeat for each remaining color, one at a time, until all five have been addressed.
Choose a small “spot” section from your markings — just a few measures or a tricky passage.
“Spot” until it’s solid — meaning:
✅ 3 times in a row correctly, or
✅ 5 total correct repetitions, then move on.
Focus on one or two colors at a time while practicing that spot.
Use the troubleshooting checklist below if you're stuck.
🔧 Troubleshooting Tips
🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:
Do you need to slow down?
Should you practice hands alone?
Could you make the spot even smaller?
Would technical exercises help (staccato, accents, etc.)?
Do you need to think ahead more clearly?
