December 13, 2025 (Lesson 1.5 of 8)

💚The First Noel

  1. Memorize?

  2. Hold longer notes for their full value.

  3. Fix notes in m. 13 RH.

💚The Happy Farmer by Robert Schumann (L. 4, C)

  1. Please count one measure of 8th notes before you begin and continue counting through the first 8th note.

  2. measures 9-12: practice the upper stem notes three times correctly, followed by down-stem notes three times correctly. Fingering is very important here! Then both voices together.

🖤Sonatina in G Major op. 36 no. 2 III by Muzio Clementi (L. 4, B)

🖤Minuet in D Minor BWV Anh. 132 by J. S. Bach (L. 4, A)

🖤Four Star: Level 3, Set 3

🖤THEORY_03_04 Scales

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. 2, List A: Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733)

  2. 2, List B: Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827)

  3. 2, List C: Play by Béla Bartók (1881-1945)

  4. 2, Etude 1: Prelude No. 4 in F Major by Elvina Pearce

  5. 2, Etude 2: Arabesque, op. 100, no. 2 by Burgmuller

  6. 💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  7. O Christmas Tree

  8. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  9. 💚A Ditty of Yimeng Mountain (2. C)

  10. 💚Minuet in A Minor by Purcell (2, A)

  11. 💚Rhyme Time (2. B)

  12. 💚The Snake by Renée Christopher (L. 1, C)

  13. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  14. 💚Detectives by Christine Donkin (L. 1, Etude)

  15. 💚💜Angelfish (L. 1, B)

  16. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  17. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  18. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  19. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  20. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  21. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

December 3, 2025 (Lesson 0.5 of 8)

💚The First Noel

💚The Happy Farmer by Robert Schumann (L. 4, C)

  1. Learn the first 8 measures hands alone

🖤Sonatina in G Major op. 36 no. 2 III by Muzio Clementi (L. 4, B)

🖤Minuet in D Minor BWV Anh. 132 by J. S. Bach (L. 4, A)

🖤Four Star: Level 3, Set 3

🖤THEORY_03_04 Scales

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. 2, List A: Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733)

  2. 2, List B: Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827)

  3. 2, List C: Play by Béla Bartók (1881-1945)

  4. 2, Etude 1: Prelude No. 4 in F Major by Elvina Pearce

  5. 2, Etude 2: Arabesque, op. 100, no. 2 by Burgmuller

  6. 💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  7. O Christmas Tree

  8. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  9. 💚A Ditty of Yimeng Mountain (2. C)

  10. 💚Minuet in A Minor by Purcell (2, A)

  11. 💚Rhyme Time (2. B)

  12. 💚The Snake by Renée Christopher (L. 1, C)

  13. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  14. 💚Detectives by Christine Donkin (L. 1, Etude)

  15. 💚💜Angelfish (L. 1, B)

  16. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  17. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  18. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  19. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  20. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  21. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

November 28, 2025 (Lesson 7.5 of 8)

Christmas duet or solo?

Orchestra at school: symbols & xylophone

RCM Dec 2, 2025 4:22 PM

  • List A: Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733)

  • List B: Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827)

  • List C: Play by Béla Bartók (1881-1945)

  • Etude 1: Prelude No. 4 in F Major by Elvina Pearce

  • Etude 2: Arabesque, op. 100, no. 2 by Burgmuller

After exam, find some games for interval recognition and sight-reading. Also start the forward and backward speaking by intervals / letter names.

🟨RCM Technical Requirements Level 03 (daily assignment)

  1. Scales: practice with and without metronome 80 per quarter note

    1. For each scale, say out-loud:

      1. The key signature - what are the flats or sharps exactly?

      2. If minor, verify the mode (harmonic or melodic)

      3. Then close-loud at m.m. 80 per note.

      4. Then up-to-tempo correctly.

🟨Four Star: Level 3, Set 2

  1. Clap Backs

  2. Playbacks: See the new AUDIO in Newzik Level 3 Tests PDF titled “7 Playbacks (11/28/2025)

  3. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude).

  1. Use your music

  2. Hands alone practice. Start from any measure of the piece.


🟩Play by Béla Bartók (L. 3, C)

  1. measures 27-28 - keep a firm hand position buy relaxed wrist. Hands alone then together. Practice starting any measure.

🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Use the music.

  2. continue to practcie slowly (close-loud) on the 16th note passages.

  3. Practice starting from any measure.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Keep a steady pulse. Careful of rushing. Please review slurs and don’t make the ends of slurs / phrases staccato

🟨Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Measures 10-14 - don’t rush

  2. Practice the transition from mm. 7-10

  3. Practice from any measure.

🟩THEORY_03_04 Scales

  1. Genevieve’s job to get the Theory ready before your lessons.

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

November 19, 2025 (Lesson 6 of 8)

RCM Dec 2, 2025 4:22 PM

  • List A: Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733)

  • List B: Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827)

  • List C: Play by Béla Bartók (1881-1945)

  • Etude 1: Prelude No. 4 in F Major by Elvina Pearce

  • Etude 2: Arabesque, op. 100, no. 2 by Burgmuller

🟨RCM Technical Requirements Level 03 (daily assignment)

  1. Rotate through each item of the technique and do it three times correctly.

🟩Four Star: Level 3, Set 2

  1. Clap Backs

  2. Playbacks Need work

    1. See the new video below for Playbacks

  3. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude).

  1. Good work navigating through a section I didn’t ask you to memorize!

  2. Assignment this week: memorize entire piece.

    1. 25-29: practice starting from any of these measures with music.

    2. Beginning of the piece:

      1. RH starts on the dominant

      2. LH start on tonic

      3. Key is F Major

    3. Practice 3-4 and 11-12 back to back with music and then memorized

    4. Skeleton Practice: measures 17-22 (first note of each measure in the RH and LH). With and without music. Use the fingering that you would normally use.

    5. Practice 13-15 and 47 to the end.


🟩Play by Béla Bartók (L. 3, C)

  1. Beginning: RH starts on tonic and the LH starts on the triad root position.

  2. First section ends with the lefthand outlining an octave on the dominant and finishes on the tonic.

  3. Practice the contrasting dynamics.

  4. Practice in sections with and without music.

🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Beginning of the piece: LH firm fingertips and fingers but loose wrist.

  2. Remember the RH should be relaxed and thinking about the outline of a 5th when playing the 16th note ascending passages.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Once through per week, hands alone and together.

    2. Don’t speed up in m. 25.

    3. Practice starting at random measures with the music.

    4. Hands alone practice.

🟨Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Memorize - be able to start from any section. 1-8, 9-29, and 30-End.

  2. Goal is to erase all of the colored pen in the music next lesson.

  3. Make sure grace notes are soft and faster.

  4. RH, LH, HT, with music - three times in one week.

    1. 1-8, 9-29, and 30-End.

🟩THEORY_03_04 Scales

  1. Genevieve’s job to get the Theory ready before your lessons.

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

November 12, 2025 (Lesson 5 of 8)

RCM Dec 2, 2025 4:22 PM

  • List A: Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733)

  • List B: Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827)

  • List C: Play by Béla Bartók (1881-1945)

  • Etude 1: Prelude No. 4 in F Major by Elvina Pearce

  • Etude 2: Arabesque, op. 100, no. 2 by Burgmuller

🟨RCM Technical Requirements Level 03 (daily assignment)

  1. Prepare pages 7, 8, and 9 of the music.

🟩Four Star: Level 3, Set 1

  1. Clap Backs

  2. Playbacks Need work

    1. See the new video below for Playbacks

  3. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude).

  1. Start from random measures of the piece (three per day).

  2. Memorize page 1


🟩Play by Béla Bartók (L. 3, C)

  1. 🟥Practice mm. 25-28, RH, LH, HT - three times daily in order to get rid of the pause between 26-27

  2. Practice mm. 27-32, RH, LH, HT - three times daily to secure the notes and rhythm.

  3. Practice starting from three random spots per session.

  4. Learn the last four measures of the piece!

🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Once through per week, hands alone and together.

    2. Don’t speed up in m. 25.

    3. Practice starting at random measures with the music.

    4. Hands alone practice.

🟨Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Memorize - be able to start from any section. 1-8, 9-29, and 30-End.

  2. Goal is to erase all of the colored pen in the music next lesson.

  3. Make sure grace notes are soft and faster.

  4. RH, LH, HT, with music - three times in one week.

    1. 1-8, 9-29, and 30-End.

🟩THEORY_03_04 Scales

  1. Genevieve’s job to get the Theory ready before your lessons.

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

November 1, 2025 (Lesson 4 of 8) (extra 20 min)

RCM Dec 2, 2025 4:22 PM

  • List A: Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733)

  • List B: Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827)

  • List C: Play by Béla Bartók (1881-1945)

  • Etude 1: Prelude No. 4 in F Major by Elvina Pearce

  • Etude 2: Arabesque, op. 100, no. 2 by Burgmuller

🟩RCM Technical Requirements Level 03

  1. Prepare pages 7, 8, and 9 of the music.

🟩Four Star: Level 3, Set 1

  1. Clap Backs

  2. Playbacks Need work

  3. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. Slow-Motion Practice: 4-8 measures a time: No faster than m.m. 60 per 8th note

    1. LH Alone: Focus on the bass note with sound, and the following notes as softer.

    2. RH Alone: Think about a deep sound for each note. Cantabile

    3. HT: Keep the above focus and go as slow as you need.

    4. Do at least 4-8 measures each practice session. Rotate through through the entire piece ideally three times in one week.

  2. Start from random measures of the piece (three per day).


🟩Play by Béla Bartók (L. 3, C)

  1. Practice mm. 25-28, RH, LH, HT - three times daily in order to get rid of the pause between 26-27

  2. Practice mm. 27-32, RH, LH, HT - three times daily to secure the notes and rhythm.

  3. Practice starting from three random spots per session.

  4. Learn the last four measures of the piece!

🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Once through per week, hands alone and together.

    2. Please keep any staccato notes “sticky”

🟩Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. . Goal is to erase all of the colored pen in the music next lesson.

  2. RH, LH, HT, with music - three times in one week.

    1. 1-8, 9-29, and 30-End.

🟩THEORY_03_04 Scales

  1. Genevieve’s job to get the Theory ready before your lessons.

BARTOK

ARABESQUE

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

October 20, 2025 (Lesson 2.75 of 8)

RCM Scheduled for end of November

🟩RCM Technical Requirements Level 03

  1. Prepare all the items on page 12 (please don’t make anything staccato)

🟩Four Star: Level 3, Set 1

  1. Clap Backs

  2. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

🟪Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. mm. 12-14 - keep a steady pulse

  2. Phrase markings mm. 1-8

  3. Memorize by practicing any missed spots with hands in lap, studying the music.


🟩Play by Béla Bartók (L. 3, C)

  1. Learn measures 1-18

  2. mm. 21-22 - LH fingering

  3. mm. 27-28: LH tap on the keys first with flexible wrist, then play with that feeling in mind.

  4. mm. 27-28: RH play as written

  5. mm. 27-28: HT

  6. mm. 29-32 - hands alone then together.

  7. m. 31 - fingering

🟩Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Once through per week, hands alone and together.

    2. Please keep any staccato notes “sticky”

🟪Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Review status: focus on accent patterns (strong weak)

  2. Bring back to focus on expression and tidy attacks four weeks before exam.

🟩THEORY_03_04 Scales

  1. Genevieve’s job to get the Theory ready before your lessons.

BARTOK

ARABESQUE







🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

October 15, 2025 (Lesson 2 of 8)

🟩RCM Technical Requirements Level 03

  1. Prepare all the items on page 12 (please don’t make anything staccato)

🟩Four Star: Level 3, Set 1

  1. Clap Backs

  2. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

🟪Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. mm. 25-30: LH softer over a singing RH.


🟩Play by Béla Bartók (L. 3, C)

  1. Practice with the video below for your assignment.

  2. mm. 21-22 - LH fingering

  3. mm. 27-28: LH tap on the keys first with flexible wrist, then play with that feeling in mind.

  4. mm. 27-28: RH play as written

  5. mm. 27-28: HT

  6. mm. 29-32 - hands alone then together.

🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Once through per week, hands alone and together.

    2. Please keep any staccato notes “sticky”

🟪Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Review status: focus on accent patterns (strong weak)

  2. Bring back to focus on expression and tidy attacks four weeks before exam.

🟪THEORY_03_03 Rhythm

  1. Prepare 36-37 as well as writing in the counting and subdivisions of the beats.

BARTOK

ARABESQUE







🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

October 10, 2025 (Lesson 1 of 8)

Choose a section C piece next time.

(Daily)🟩RCM Technical Requirements Level 03

  1. Prepare all the items on page 11 (please don’t make anything staccato)

🟩Four Star: Level 3, Set 1

  1. Clap Backs

  2. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

  3. 🟨Third week of using the video below for Playbacks

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. mm. 25-30: LH softer over a singing RH.


🟩Play by Béla Bartók (L. 3, C)

  1. Practice with the video below for your assignment.

  2. Print your music from the Newzik PDF



🟪🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.



🟪🟪Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Entire piece with once NFPER focus per session.

    2. Practice starting from two random spots per session (continue for 3-5)

      1. Remember to practice in your head first before you start.

      2. If you have trouble, hands back in lap and do more mental practice.

(Daily)🟩Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Review status: focus on accent patterns (strong weak)

  2. Bring back to focus on expression and tidy attacks four weeks before exam.

🟩THEORY_03_03 Rhythm

  1. Prepare 36-37 as well as writing in the counting and subdivisions of the beats.





🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

October 3, 2025 (Lesson 8 of 8)

Choose a section C piece next time.

Bring binder for G next time.

(Daily)🟩RCM Technical Requirements Level 03

  1. Prepare all the items on page 11 (please don’t make anything staccato)



🟩Four Star: Level 3, Set 1

  1. Clap Backs

  2. Sight-reading

    1. Work your way from left to right: clefs, key, time, notes.

  3. Continue Play Backs: use the video below

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. mm. 25-30: LH softer over a singing RH.


🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.

🟪Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Entire piece with once NFPER focus per session.

    2. Practice starting from two random spots per session (continue for 3-5)

      1. Remember to practice in your head first before you start.

      2. If you have trouble, hands back in lap and do more mental practice.

(Daily)🟩Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Review status: focus on accent patterns (strong weak)

  2. Bring back to focus on expression and tidy attacks four weeks before exam.

🟩THEORY_03_03 Rhythm

  1. Prepare 36-37 as well as writing in the counting and subdivisions of the beats.



🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

September 24, 2025 (Lesson 7 of 8)

Choose a section C piece next time.


(Daily)🟩RCM Technical Requirements Level 03

  1. Prepare all the items on page 11 (please don’t make anything staccato)



🟨🟨Four Star: Level 3

  1. Clap Backs (better!)

  2. Continue Play Backs (practice playing the tonic triad and then recognizing one of the three notes)

🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. Video:

    1. Measures 25-30: keep practicing with the idea of moving the LH to the new position right after you play.



🟩Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Last three measures of the piece:

    1. LH alone

    2. RH alone

    3. HT

    4. Repeat five times accurately.

🟩Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Entire piece with once NFPER focus per session.

    2. Practice starting from two random spots per session (continue for 3-5)

      1. Remember to practice in your head first before you start.

      2. If you have trouble, hands back in lap and do more mental practice.

(Daily)🟨Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Review status:

  2. Bring back to focus on expression and tidy attacks four weeks before exam.

🟥THEORY_03_03 Rhythm

  1. Prepare 34-35

  2. I need 72 hour notice if something is not going to be prepared.



🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

September 17, 2025 (Lesson 6 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY


🟩History Quiz: Complete by next lesson.


🟨RCM Technical Requirements Level 03 (daily assignment)

  1. Formula pattern on page 9 - once hands alone then together, daily.

  2. Please fix the fingering (highlighted yellow items on page 10)

    1. PLEASE DON’T MAKE ANYTHING STACCATO


🟨Four Star: Level 3

  1. Clap Backs (better!)

  2. Continue Play Backs (practice playing the tonic triad and then recognizing one of the three notes)

  3. Interval flashcards?

    1. Finish set 3.


🟩Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. Video:

    1. Measures 25-30: keep practicing with the idea of moving the LH to the new position right after you play.


🟨🟨Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Notes

    1. Start at m.m. 72 LH alone quarter notes, then with 16ths.

    2. Speed build 76, 80, 84, 88, 92, ,96, ,100

    3. Then RH

    4. Then together.

🟪Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Entire piece with once NFPER focus per session.

    2. Practice starting from two random spots per session (continue for 3-5)

(Daily)💛Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Measures 35 to the end:

    1. Please have this ready to pass off with no pauses.

    2. Practice this hands alone then together

    3. Please don’t make the LH staccato (or too detached) in measure 36 see the video in Newzik

  2. Review the rest of the piece at least twice a week WITH music.

🟪THEORY_03_03 Rhythm

  1. Prepare 34-35


🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

September 10, 2025 (Lesson 5 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

RCM this

💛RCM Technical Requirements Level 03

  1. Contrary motion: hands alone practice first, then together.

    1. See the items in the green highlighted area on page 10

💚Four Star: Level 3

  1. Clap Backs (better!)

  2. Play Backs (practice playing the tonic triad and then recognizing one of the three notes)

  3. Interval flashcards?

    1. Finish set 3.

💚Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. Video:

    1. Measures 25-30: follow the instruction in the video

💛Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Notes

    1. please practice with the new video in Newzik titled last three measures 9/5

    2. At least 5 min.

💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Entire piece with once NFPER focus per session.

    2. Practice starting from two random spots per session (continue for 3-5)

💜Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Measures 35 to the end:

    1. See the pink markings in the last three measures of a piece. Hold the notes for their full value and rest on the last cord slightly longer so that we feel the ending of the piece.

  2. Review the rest of the piece once each day.

💚THEORY_03_03 Rhythm

  1. Prepare 34-35

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

Aug 29 & Sep 5, 2025 (Lesson 3-4 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

💚RCM Technical Requirements Level 03

  1. New Items

    1. See the items in the green highlighted area on page 10

💛Four Star: Level 3

  1. Clap Backs

    1. practice with the new recording in four Star 03 tests called three Clapback’s 9/5

    2. When listening to these examples, try to hear patterns in the rhythm. There are often patterns in the first and second halves of each example.

    3. Left off on Set 3. No need to prepare another right now.

    4. By the way, this has a yellow heart only because we are still working on the difficulties of this assignment, but there is progress!

💚Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. Notes

    1. Measures 25-30: play the left hand has written, practiced the right hand alone, and then practice hands together!

  2. Expression

    1. In the first page, try to make the left hand softer overall. You’re doing so much better with the rhythm and the notes here, our next step is to secure the melody in the right hand as the leader over the left hand accompaniment.

💚Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Notes

    1. please practice with the new video in Newzik titled last three measures 9/5

💜Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Focus on the 4th system (notes)

💚Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Measures 35 to the end:

    1. See the pink markings in the last three measures of a piece. Hold the notes for their full value and rest on the last cord slightly longer so that we feel the ending of the piece.

  2. Review the rest of the piece once each day.

💜THEORY_03_03 Rhythm

  1. Please tell me about stem direction next lesson - specifically about the rule that applies when you have a group of notes on both sides of line three (see page 28).

  2. Please prepare pages 29-33

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

August 21, 2025 (Lesson 2 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

💚RCM Technical Requirements Level 03

  1. Position

    1. Please make sure back in straight and feet are flat on the ground. Remember your posture trophy!

  2. New Items

    1. See the items in the green highlighted area.

    2. D Major formula pattern

      1. Practice this hands alone first.

💚Four Star: Level 3

  1. Clap Backs

    1. Please listen and practice with the audio in Newzik titled “Four Clab Backs 8/21”

    2. Left off on Set 3. No need to prepare another right now.

💚Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. Notes

    1. Please see the audio in Newzik titled “8/21 Lesson Measures 25-30” and follow the instructions.

  2. Rhythm

    1. Please see the audio in Newzik titled “8/21 Lesson Practice Plan” and follow the instructions.

💚Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. Notes

    1. Please see the new video in Newzik titled “8/21 Lesson Last Two Measures”

💜Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

    1. Always have at least one focus from NFPER when reviewing any piece.

💜Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Fix all colored markings! See the color-focused practice guide above.

💜THEORY_03_03 Rhythm

  1. Prepare pages 24-28

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

July 16, 2025 (Lesson 1 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟥 Red)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟨 Yellow)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid — meaning:

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

💚RCM Technical Requirements Level 03

  1. B-flat Major: go slow enough to play perfectly - fingering and notes.

  2. G minor, harmonic and melodic.

💚Four Star: Level 3

  1. Prepare 03_03 (Set 3)

💚Prelude No. 4 in F Major by Elvina Pearce (L. 3, Etude)

  1. New piece! Start learning one measure at a time, hands alone then hands together, using the color-focus practice method.

💚Arabesque, op. 100, no. 2 by Burgmuller (L. 3, Etude)

  1. See the audio for mm. 15-18

  2. Do the color focused practice for the entire piece.

  3. Use close-loud technique in the LH for measures 11-16: three times each day until Wednesday.

💜💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

  2. Practice starting from random measures.

💚Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Fix all colored markings! See the color-focused practice guide above.

💚THEORY_03_03 Rhythm

  1. Prepare pages 24-28

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

July 11, 2025 (Lesson 8 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟦 Blue)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟪 Purple)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟥 Red)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid — meaning:

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

💚RCM Technical Requirements Level 03

  1. B-flat Major: go slow enough to play perfectly - fingering and notes.

  2. G minor, harmonic and melodic.

💚Four Star: Level 3

  1. Prepare 03_03 (Set 3)

💜💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

  2. Practice starting from random measures.

💚Arabesque

  1. See the audio for mm. 15-18

  2. Do the color focused practice for the entire piece.

  3. Use close-loud technique in the LH for measures 11-16: three times each day until Wednesday.

💜Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. See the new video in Newzik for measures 1-2.

  2. Continue to practice in small chunks with m.m. 40. Per triplet

  3. Gradually increase the sections to make bigger ones.

❤️THEORY_03_01 Getting Started

  1. Prepare the entire unit!

  2. Please study page 6 for a quiz next time.

💚THEORY_03_03 Rhythm

  1. Prepare the first two pages. I’ll ask you to define any bold words.

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

June 28, 2025 (Lesson 7 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟦 Blue)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟪 Purple)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟥 Red)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid — meaning:

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

❤️RCM Technical Requirements Level 03

  1. Before you begin any scale or item, say out loud all the components of the item.

  2. D Major (left hand fingering)

  3. Prepare F major fingering

  4. D minor harmonic and melodic.

💜💚Four Star: Level 3

  1. Prepare 03_02 (Set 2)

💜💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

  2. Practice starting from random measures.

💚Arabesque

  1. Color focus practice

💜Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. See the new video in Newzik for measures 1-2.

  2. Continue to practice in small chunks with m.m. 40. Per triplet

  3. Gradually increase the sections to make bigger ones.

💛THEORY_03_01 Getting Started

  1. Prepare the entire unit!

  2. Please study page 6 for a quiz next time.

💛THEORY_03_02 Getting Started

  1. Fix pp. 13 and 14

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

June 20, 2025 (Lesson 6 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • N – Notes – correct pitches and accidentals (🟦 Blue)

  • F – Fingering – consistent, effective finger choices (🟧 Orange)

  • P – Position – hand shape, posture, and keyboard geography (🟪 Purple)

  • E – Expression – phrasing, dynamics, articulation, tone, etc. (🟩 Green)

  • R – Rhythm – steady pulse, accurate timing, and rests (🟥 Red)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid — meaning:

  • ✅ 3 times in a row correctly, or

  • ✅ 5 total correct repetitions, then move on.

  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?

❤️RCM Technical Requirements Level 03

  1. Before you begin any scale or item, say out loud all the components of the item.

  2. D Major (left hand fingering)

  3. Prepare F major fingering

  4. D minor harmonic and melodic.

💜💚Four Star: Level 3

  1. Prepare 03_02 (Set 2)

💜💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

  2. Practice starting from random measures.

💚Arabesque

  1. Color focus practice

💜Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. See the new video in Newzik for measures 1-2.

  2. Continue to practice in small chunks with m.m. 40. Per triplet

  3. Gradually increase the sections to make bigger ones.

💛THEORY_03_01 Getting Started

  1. Prepare the entire unit!

  2. Please study page 6 for a quiz next time.

💛THEORY_03_02 Getting Started

  1. Fix pp. 13 and 14

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration

June 13, 2025 (Lesson 5 of 8)

PRACTICE PLAN!

  • ❤️FIRST PRIORITY

  • 💛SECOND PRIORITY

  • 💜THIRD PRIORITY

  • 💚FOURTH PRIORITY

Notes

Fingering

Position

Expression

Rhythms

💛RCM Technical Requirements Level 03

  1. Study the diagram and paragraph on p. 2

  2. Skip p. 3

  3. 💛D Major (left hand fingering)

  4. 💛B Minor Melodic and Harmonic (also fingering)

    1. Master hands alone first, then together.

💚Four Star: Level 3

  1. Prepare 03_01 (Set 1)

💚Minuet in G Major, BWV Anh. 114 by Christian Petzold (1677-1733) (L. 3, A)

  1. Review

💚Arabesque

  1. See the new video in Newzik.

  2. Learn the next section (until the 1st ending last system).

  3. 🎥Please watch the new “RH measures 1-10” and please follow the wrist movements and articulations. Fingering can be tricky too! Practice with NFPER in mind. One at a time.

💚Sonatina in G Major, Anh. 5, no. 1. II. Romanze, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

  1. Start to practice in small chunks with m.m. 60. Per triplet

  2. Gradually increase the sections to make bigger ones.

💚THEORY_03_01 Getting Started

  1. Prepare the entire unit!

🖤Musette in D Major, BWV Anh. 126, attr. Johann Sebastian Bach (1685-1750) (L. 3, A)

🖤Sonatina in G Major, Anh. 5, no. 1. Moderato, attr. Ludwig van Beethoven (1770-1827) (L. 3, B)

🖤“Sight-Reading 2B”

(Approx. 3-5 min each day)

  1. Continue from page 37 of 90 (of the PDF)

  2. Be sure to move forward through mistakes - don’t correct them until you finish the exercise - then fix them in your MIND first before you try the entire thing again.

  3. PRACTICE SIGHT-READING NO FASTER THAN M.M. 50 PER QUARTER NOTE.

REVIEW PIECES:

💚Bird in the Bebop by Wynn-Anne Rossi (L. 2, Etude)

  1. O Christmas Tree

  2. Etude in F Major, Op. 190, No. 27 by Christian Louis Heinrich Köhler (L. 2, Etude)

  3. 💚A Ditty of Yimeng Mountain (2. C)

  4. 💚Minuet in A Minor by Purcell (2, A)

  5. 💚Rhyme Time (2. B)

  6. 💚The Snake by Renée Christopher (L. 1, C)

  7. 💚Andante in G Minor by Georg Philip Telemann (L. 1, A)

  8. 💚Detectives by Christine Donkin (L. 1, Etude)

  9. 💚💜Angelfish (L. 1, B)

  10. 💚Celebration by Ann Crosby Gaudet (L. 1, Etude)

  11. 💜💚💚 The Calico Cat by Helen Marlais (b. 1966) (Prep B)

  12. 💚💚💚Freddie the Frog by Anne Crosby-Gaudet (b. 1968) (Prep B)

  13. 💚💚💚Allegro in C Major op. 1 no. 4 by Alexander Reinagle (1756-1809) (L. A)

  14. 💚💚💚A Skating Waltz by Boris Berlin (1907-2001) (L. A)

  15. 💚💚💚What’s That Noise by Martha Mier (b. 1936) L. A)

RCM LEVEL 1 EXAM: May 29th 11:01 am

List A: Andante

List B: Angelfish

List C: The Snake

Etude: Detectives

Recital May 19th: 3 pm (or 1 pm if possible)

Angelfish

Detectives

The Snake

Andante

Celebration