RCMCP: Level 3 Spring
Lesson Assignments:
TECHNIQUE
RCMPC Technique Level 3.
REDO: D Major Formula Pattern
REDO: B-flat Major scale
PREPARE: Tonic Triads on pages 10 and 11
Do the blocked first, then broken.
Three times correctly each item.
Watch out for fingering! :)
Open up your book and study the fingering.
Hands alone, close loud
Hands together, close loud
Hands alone slo-mo
Hands together, legato medium tempo (3 times correctly)
RCM Technical Requirements Level 3
THEORY
Celebrate Theory: Level 1
PREPARE AND PRINT: Unit 1 Level 2
READING
Four Star Sightreading & Ear Tests Level 3
PREPARE: Set 7 finish
Test next week with Dustin
Sightreading 3A
Continue on
REPERTOIRE
(RECITAL) Harlequinade by Johann Ludwig Krebs (1713 - 1780) (L. 3, A)
HANDS ALONE PRACTICE
Practice entire piece hands alone with the music.
SECTION PREACTICE
Choose a small section and play 3 times in-a-row correctly having one focus.
FINAL TEMPO PRACTICE
Entire piece 3 times correctly.
(RECITAL) Minuet in E-flat Major by Johann Mattheson (1681 - 1764) (L. 3, A)
HANDS ALONE PRACTICE
Practice entire piece hands alone with the music.
SECTION PREACTICE
Choose a small section and play 3 times in-a-row correctly having one focus.
FINAL TEMPO PRACTICE
Entire piece 3 times correctly.
*Sonatina in C Major Op. 36 No. 1 by Muzio Clementi (1752-1832) (L. 3, B)
After your recital, this is your focus. m.m. 72 no stops! :)
ms. 6-7 - detach your LH notes!
Play the position (blocked) of measures 8, 9, 10, 11 and 12, back to back - beats 1-2 blocked together.
m. 8 - LH prepare. You’re not doing the rest
Look at all the LH rests!
Practice blocking where needed. 2-4 mesures at a time.
Song of the Twilight by Yoshinao Nakada (L. 3, C)
Choose random measures and be able to start there, having one goal in mind.
Feel comfortable hands apart first.
Tchaikovsky Op. 39 No. 9 “Waltz”
Fix all orange pen.
Practice Tools
Close Loud
With each note, keep your fingers close to the keyboard and pop your wrist up to help release the tension created when you hit the key with force!
Rhythms (Long, short, short, Long, short, short. etc.)
The long notes are strong like “close loud,” and the short notes are light and played as quickly as possible, THINKING about going to the next long note.
Accent Practice
Accent one note in a group and practice alternating the note that receives the accent.
Staccato Practice
Double Note Practice
Slo-Mo Practice
Review once a week with your music.
Prokofiev Op. 65 No. 10
Toccatina by Kabalevsky
Burgmuller Op. 100 No. “The Limped Stream”
Andante in G Minor by Telemann (L. 1)
*Haydn German Dance in D Major (L. 1)
*Hopscotch by Boris Berlin (L. 1 Etude)
*Celebration by Anne Crosby Gaudet (L. 1 Etude)
*A Swinging Leprechaun by Mike Schoenmehl (L. 1 Etude)
Etude in C Major by Félix Le Couppey (L. 1 Etude)
Far Away by Teresa Richert (L. 1 Etude)
*Distant Chimes by Jon George
Gavotte in C by Telemann
*Pantomime by Faber
Curious Cat by Teresa Richert (Prep A)
Baby Kangaroo (12/7/17)
Teeter-Totter by Dale Reubart (Prep A)
Dmitri Kabalevsky: Marching Op. 39 No. 3 (Prep A)
*Let's Waltz by Elvina Pearce (Prep A)
