2019-2020 Young Artist Enrollment: Full Year
THEORY
Level 9
Online
TECHNIQUE
Level 9: Scales Passed (12/19/2020)
For octave scales -
Play in more closed position.
Think less about the distance.
Rotate wrists more to each position.
Don’t “get stressed out about descending.”
Prepare All Chords Above.
Pass off by 2nd week in January.
READING
Sightreading: 5-10 min a day
Level 7 Books
Look at the bass first. Why do we do this? It outlines the harmony. We also read intervals from the bass.
If you get in a mode of panic / grasping for any note: improvise a pulse while you abandon the material and look ahead to the next measure.
CONFIDENCE! Play each note with confidence, even if you know there’s going to be a mistake.
Confident approach to the rhythm and articulation. Leave notes out.
REPERTOIRE
BAROQUE
Rameau
movement from suite
Sinfonia No. 8 in F Major, BWV 794
. M. 4 see pencil markings. Feel the start of the sequence and the end of the previous phrase.
Do 2 beats at a time of fingering and send me photos of the work.
m. 4
RH LH can’t be one texture.
Have a clear idea of the three levels of dynamics relating to each sequence.
Keep your tempo very steady.
Quarter-note Alto note hold as long as you can.
m. 15
Measures previous to this should be more suspensufl because subjects are happening at the same time. The climax is here! Feel the cadence and give it more weight.
m. 16
Start of a new section. Hold the long notes as long as possible.
Finish learning and we’ll work expression next time.
CLASSICAL
Mozart Sonatas
Haydn Sonatas
Beethoven, Sonata Op. 10 No. 1 in C Minor (No. 5)
I lost momentum at the end of your first phrase.
Right before the descending RH run, I lost energy in the repetition.
M. 20 - needs energy before the rolled chord.
Octave section is uneven.
Mm. 66 - lost tempo.
Triplet extensions of 16TH note passages are awkward. (Listen to the recordings for this sections. )
Slow section - needs energy but of a different kind. Do the ritard gradually.
Don’t hold note too long at the end.
Learn 2nd movement.
ROMANTIC
Tchaikovsky
October
Rachmaninoff
Prelude Op. 32 No. 12 in G-sharp Minor
Start with Dustin
CONTEMPORARY / POST-ROMANTIC
***Boothe / Bober - Jingle Bell Rock
Consider pedaling
Maurice Ravel (1875-1937)
Prélude from Le Tombeau de Couperin M68a
Repertoire for Review
BAROQUE
Johan Sebastian Bach (1685-1750)
French Suite No. 4 in E-flat Major BWV 815
Allemande (L. 7, A)
Gigue (L. 7, A)
Invention No. 4 in D Minor, BWV 775
Invention No. 8 in F Major, BWV 779
Invention No. 12 in A Major, BWV 783 (L. 8, A)
Invention No. 15 in B Minor, BWV 786 (L. 8, A)
Domenico Scarlatti (1685-1757)
Sonata in E Major, K 531 (L. 8, A)
CLASSICAL
L. V. Beethoven (1770-1827)
Sonata in G Minor, op. 49, no. 1 (L. 8, B)
Sonata in G Major Op 49 No. 2 (L. 8, B)
Friedrich Kuhlau (1786-1832)
Sonatina in C Major Op. 88 No. 1 (L. 7: B)
Wolfgang Amadeus Mozart (1756-1791)
Sonata in C Major, K 545, Allegro (L. 8, B)
ROMANTIC
Johann Friedrich Franz Burgmüller (1806-1874)
The Storm Op. 109 No. 13 (L. 8, Etude)
Frederic Chopin (1810-1849)
Valse Op 69 No. 1 (L. 8, C)
Waltz Op. 69 No. 2 in B minor (L. 8, C)
Edvard Grieg (1843-1907)
Humoreske in C Major Op. 6 No. 3 (L. 8, C)
Felix Mendelssohn (1809-1847)
Gondellied (Barcarole) in A Major (L. 8, C)
Robert Schumann (1810-1856)
Album für die Jugend, Op. 68 No. 12 Knecht Rubrecht (L. 8, C)
CONTEMPORARY / POST-ROMANTIC
Claude Debussy (1862-1918)
Children’s Corner:
Doctor Gradus ad Parnassum (L. 10, D)
The Little Shepherd (L. 8, D)
Page d’Album (L. 8, D)
Gabriel Fauré (1845-1924)
Improvisation in C-sharp minor Op. 84 No. 5 from Huit Pièces Brèves (L. 9 Etude)
Sergei Rachmaninoff (1873-1943)
Etude Tableaux, Op. 33 No. 7 in G Minor
Maurice Ravel (1875-1737)
Prelude in A Minor (L. 8, D)
Alexander Scriabin ()
Twenty-Four Preludes, Op. 11 No. 22 by (L. 8, D)
Sergei Prokofiev ()
Op. 65 No. 6 Waltz (L. 7: C)
Op. 65 No. 12
J. S. Bach: Little Prelude in C Major, BWV 933 (L. 7)
Granados, Cuentos de la juventud Op. 1 No. 9: La huerfana (L. 7)
Mignon Op. 68 No. 36 by Robert Schumann (1810-1856) (L. 6 List C)
Diabelli, Sonatina in F Major Op. 168 No. 1, movement III (L. 6 List B)
Kabalevsky, Toccatina Op. 27 No. 12 (L. 6) (1904-1987)
Haydn Hob.XVI No. 8
Burgmuller Op. 109 No. 7 Berceuse
Kabalevsky Etude in A Minor
Beethoven Sonatina in F Major Anh 5 No. 2
Bach Invention No. 8
The Happy Farmer Op. 68 No. 10 by Robert Schumann (level 4)
Sweet Sorrow Op. 100 No. 16 by J. F. Burgmuller (level 5 etude)
Foggy Bottom Blues (level 4)
Bartok Sonatina Sz. 55: 1. Bagpipers (recital
Scarlatti Sonata in C Major K 159 (recital)
Dragon Fly (Etude L. 4)
Clementi, Six Sonatinas Op. 36
Arabesque Op. 100 No. 2 by Johann Friedrich Burgmüller (L. 3 Etude)
Musette in D Major by J.S. Bach (L. 3 List A)
Sonatina in A Minor Op. 94 No. 4 by Albert Biehl (L. 3 List B)
Clementi, Sonatina Op. 36 No. 1 in C Major
Faure Dolly Suite
Kuhlau, movement 2
*"Allegro in B-flat" by W. A. Mozart
Sonatina in G Major by Beethoven
**Adieu by Bergmuller
**Chanson Italienne Op.39 No. 15 Tchaikovsky
Pastorale by Bergmuller
__________________________________________
Kaufman Piano Competition: applications by March 1st
JUNIOR DIVISION 2: AGES 11-14
Preliminary YouTube Round: Up to 15 minutes of music,
Contestant's choice. (Needs to include at least one fast-paced work.)
Semi-Final Round: Up to 20 minutes
1. One Baroque polyphonic work
2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
3. One or more pieces at the participant's discretion
Finals: Up to 25 minutes
1. A Classical sonata (or first or last movement)
2. One or more compositions from the Romantic era
3. One or more Contemporary pieces, written after 1950
One work from semi-final round may be repeated.
Works from preliminary round can be performed at the semifinal or the final rounds.
Repertoire Goals
Counterpoint
Bach Invention No. 8
Bach Gigue from French Suite…
Scarlatti Sonata K…
Handel Movement from Suite…
Bach Invention No…
Etudes
Kabalevsky Etude in A Minor Op. 27 No.8
Due November 8th
*Burgmuller Op. 100 No. 23 Le Retour
(repeated chords)
*Burgmuller Op. 109 No. 1 Confidence
*Burgmuller Op. 109 No. 8 Agitato
Rotating balance
*Burgmuller Op. 109 No. 10 La Vélocité
16th note Passage work
*Burgmuller Op. 109 No. 14 Refrain du Gondolier
*Burgmuller Op. 109 No. 18 La Fileuse
Mendelssohn Op. 140
Clementi…
Czerny Op. 740
Moszkowski Op. 72 No. 1…
Sonatinas
Clementi Op. 36 No. 4
Performance Ready on November 8th
Diabelli Op. 151 or 168
Clementi Op. 36 No. 5
Haydn Hob.XVI No. 8 or No. 7
Kuhlau Op. 20 No. 1, Op. 55 No. 3, 4 or Op. 88 No. 4
Clementi Op. 36 No. 6
Contemporary / Modern - Late 19th & 20th Century
Kabalevsky
Prokofiev
Debussy
ROMANTIC
Paderewski: Humoresque de Concert “Minuet”
Contemporary / Modern - Post 1950
Mendelssohn Op. 30 No. 6 "Venetian Boat-Song No. 2"
Moszkowski, Vingt Petites Etudes Op. 91 No. 10, 11
2018-2019 Goals
Jr. High applications - which schools?
Kaufman Competition
JUNIOR DIVISION 2: AGES 11-14
Preliminary YouTube Round: Up to 15 minutes of music,
Contestant's choice. (Needs to include at least one fast-paced work.)
Semi-Final Round: Up to 20 minutes
1. One Baroque polyphonic work
2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
3. One or more pieces at the participant's discretion
Finals: Up to 25 minutes
1. A Classical sonata (or first or last movement)
2. One or more compositions from the Romantic era
3. One or more Contemporary pieces, written after 1950
One work from semi-final round may be repeated.
Works from preliminary round can be performed at the semifinal or the final rounds.All application materials must be postmarked by March 1, 2019 and submitted by mail and/or email to:
