2020-2021 Lesson 12-13 of 32

2019-2020 Young Artist Enrollment: Full Year

THEORY

  1. Level 9

    1. Online

    2. Starting in Late Jan.

IMG_0131.jpeg
IMG_0132.jpeg

TECHNIQUE

  1. Level 9: Scales Passed (12/19/2020)

    1. Think of fingers as silts. Use your wrist to transfer the balance of one note to the next. No surface playing!

    2. Prepare All Chords Above.

      1. Pass off by 2nd week in January.

READING

  1. Sightreading: 5-10 min a day

    1. Level 7 Books

    2. Look at the bass first. Why do we do this? It outlines the harmony. We also read intervals from the bass.

    3. If you get in a mode of panic / grasping for any note: improvise a pulse while you abandon the material and look ahead to the next measure.

    4. CONFIDENCE! Play each note with confidence, even if you know there’s going to be a mistake.

    5. Confident approach to the rhythm and articulation. Leave notes out.

    6. When you think about the piece, it depends on what type of piece it is - think about it differently.

  2. REPERTOIRE

    1. BAROQUE

      1. Rameau

        1. movement from suite

      2. Sinfonia No. 8 in F Major, BWV 794

        1. Second page is sloppy. Please have any pauses and notes fixed.

        2. Overall:

          1. Larger dynamic range without changing your tempo.

          2. Hold on to notes longer at the cadences.

          3. System three: Keep soprano going! This is a duet between Sop. And Bass.

          4. Pass next week!

    2. CLASSICAL

      1. Mozart Sonatas

      2. Haydn Sonatas

      3. Beethoven, Sonata Op. 10 No. 1 in C Minor (No. 5)

        1. MOVEMENT III:

        2. PRACTICE HABBITS:

          1. WHEN YOU HAVE A SPOT THAT NEEDS TO BE FIXED:

            1. STOP: IDENTIFY THE ISSUE: WHAT TOOLS DO YOU NEED TO FIX IT?

            2. FIX IT IN YOUR MIND FIRST.

            3. SPOT IT THREE TIMES IN-A-ROW.

            4. EXPAND YOUR SECTION: SPOT AGAIN.

            5. PUT IT IN THE MIX

            6. GO ON TO THE NEXT SECTIONS.

      4. Learn 2nd movement.

    3. ROMANTIC

      1. Tchaikovsky

        1. October

      2. Rachmaninoff

        1. Prelude Op. 32 No. 12 in G-sharp Minor

          1. Start with Dustin

    4. CONTEMPORARY / POST-ROMANTIC

      1. Maurice Ravel (1875-1937)

        1. Prélude from Le Tombeau de Couperin M68a


Repertoire for Review

BAROQUE

  1. Johan Sebastian Bach (1685-1750)

    1. French Suite No. 4 in E-flat Major BWV 815

      1. Allemande (L. 7, A)

      2. Gigue (L. 7, A)

    2. Invention No. 4 in D Minor, BWV 775

    3. Invention No. 8 in F Major, BWV 779

    4. Invention No. 12 in A Major, BWV 783 (L. 8, A)

    5. Invention No. 15 in B Minor, BWV 786 (L. 8, A)

  2. Domenico Scarlatti (1685-1757)

    1. Sonata in E Major, K 531 (L. 8, A)

CLASSICAL

  1. L. V. Beethoven (1770-1827)

    1. Sonata in G Minor, op. 49, no. 1 (L. 8, B)

    2. Sonata in G Major Op 49 No. 2 (L. 8, B)

  2. Friedrich Kuhlau (1786-1832)

    1. Sonatina in C Major Op. 88 No. 1 (L. 7: B)

  3. Wolfgang Amadeus Mozart (1756-1791)

    1. Sonata in C Major, K 545, Allegro (L. 8, B)

ROMANTIC

  1. Johann Friedrich Franz Burgmüller (1806-1874)

    1. The Storm Op. 109 No. 13 (L. 8, Etude)

  2. Frederic Chopin (1810-1849)

    1. Valse Op 69 No. 1 (L. 8, C)

    2. Waltz Op. 69 No. 2 in B minor (L. 8, C)

  3. Edvard Grieg (1843-1907)

    1. Humoreske in C Major Op. 6 No. 3 (L. 8, C)

  4. Felix Mendelssohn (1809-1847)

    1. Gondellied (Barcarole) in A Major (L. 8, C)

  5. Robert Schumann (1810-1856)

    1. Album für die Jugend, Op. 68 No. 12 Knecht Rubrecht (L. 8, C)

CONTEMPORARY / POST-ROMANTIC

  1. Claude Debussy (1862-1918)

    1. Children’s Corner:

      1. Doctor Gradus ad Parnassum (L. 10, D)

      2. The Little Shepherd (L. 8, D)

    2. Page d’Album (L. 8, D)

  2. Gabriel Fauré (1845-1924)

    1. Improvisation in C-sharp minor Op. 84 No. 5 from Huit Pièces Brèves (L. 9 Etude)

  3. Sergei Rachmaninoff (1873-1943)

    1. Etude Tableaux, Op. 33 No. 7 in G Minor

  4. Maurice Ravel (1875-1737)

    1. Prelude in A Minor (L. 8, D)

  5. Alexander Scriabin ()

    1. Twenty-Four Preludes, Op. 11 No. 22 by (L. 8, D)

  6. Sergei Prokofiev ()

    1. Op. 65 No. 6 Waltz (L. 7: C)

    2. Op. 65 No. 12

  7. J. S. Bach: Little Prelude in C Major, BWV 933 (L. 7)

  8. Granados, Cuentos de la juventud Op. 1 No. 9: La huerfana (L. 7)

  9. Mignon Op. 68 No. 36 by Robert Schumann (1810-1856) (L. 6 List C)

  10. Diabelli, Sonatina in F Major Op. 168 No. 1, movement III (L. 6 List B)

  11. Kabalevsky, Toccatina Op. 27 No. 12 (L. 6) (1904-1987)

  12. Haydn Hob.XVI No. 8

  13. Burgmuller Op. 109 No. 7 Berceuse

  14. Kabalevsky Etude in A Minor

  15. Beethoven Sonatina in F Major Anh 5 No. 2

  16. Bach Invention No. 8

  17. The Happy Farmer Op. 68 No. 10 by Robert Schumann (level 4)

  18. Sweet Sorrow Op. 100 No. 16 by J. F. Burgmuller (level 5 etude)

  19. Foggy Bottom Blues (level 4)

  20. Bartok Sonatina Sz. 55: 1. Bagpipers (recital

  21. Scarlatti Sonata in C Major K 159 (recital)

  22. Dragon Fly (Etude L. 4)

  23. Clementi, Six Sonatinas Op. 36

  24. Arabesque Op. 100 No. 2 by Johann Friedrich Burgmüller (L. 3 Etude)

  25. Musette in D Major by J.S. Bach (L. 3 List A)

  26. Sonatina in A Minor Op. 94 No. 4 by Albert Biehl (L. 3 List B)

  27. Clementi, Sonatina Op. 36 No. 1 in C Major

  28. Faure Dolly Suite

  29. Kuhlau, movement 2

  30. *"Allegro in B-flat" by W. A. Mozart

  31. Sonatina in G Major by Beethoven

  32. **Adieu by Bergmuller

  33. **Chanson Italienne Op.39 No. 15 Tchaikovsky

  34. Pastorale by Bergmuller

__________________________________________

Kaufman Piano Competition: applications by March 1st

JUNIOR DIVISION 2: AGES 11-14
Preliminary YouTube Round: Up to 15 minutes of music,
Contestant's choice. (Needs to include at least one fast-paced work.)

Semi-Final Round: Up to 20 minutes
1. One Baroque polyphonic work
2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
3. One or more pieces at the participant's discretion

Finals: Up to 25 minutes
1. A Classical sonata (or first or last movement)
2. One or more compositions from the Romantic era
3. One or more Contemporary pieces, written after 1950
One work from semi-final round may be repeated.
Works from preliminary round can be performed at the semifinal or the final rounds.

Repertoire Goals

  1. Counterpoint

    1. Bach Invention No. 8

    2. Bach Gigue from French Suite…

    3. Scarlatti Sonata K…

    4. Handel Movement from Suite…

    5. Bach Invention No…

  2. Etudes

    1. Kabalevsky Etude in A Minor Op. 27 No.8

      1. Due November 8th

    2. *Burgmuller Op. 100 No. 23 Le Retour

      1. (repeated chords)

    3. *Burgmuller Op. 109 No. 1 Confidence

    4. *Burgmuller Op. 109 No. 8 Agitato

      1. Rotating balance

    5. *Burgmuller Op. 109 No. 10 La Vélocité

      1. 16th note Passage work

    6. *Burgmuller Op. 109 No. 14 Refrain du Gondolier

    7. *Burgmuller Op. 109 No. 18 La Fileuse

    8. Mendelssohn Op. 140

    9. Clementi…

    10. Czerny Op. 740

    11. Moszkowski Op. 72 No. 1…

  3. Sonatinas

    1. Clementi Op. 36 No. 4

      1. Performance Ready on November 8th

    2. Diabelli Op. 151 or 168

    3. Clementi Op. 36 No. 5

    4. Haydn Hob.XVI No. 8 or No. 7



    5. Kuhlau Op. 20 No. 1, Op. 55 No. 3, 4 or Op. 88 No. 4

    6. Clementi Op. 36 No. 6

  4. Contemporary / Modern - Late 19th & 20th Century

    1. Kabalevsky

    2. Prokofiev

    3. Debussy

  5. ROMANTIC

    1. Paderewski: Humoresque de Concert “Minuet”

  6. Contemporary / Modern - Post 1950

  1. Mendelssohn Op. 30 No. 6 "Venetian Boat-Song No. 2"

  2. Moszkowski, Vingt Petites Etudes Op. 91 No. 10, 11

2018-2019 Goals

  1. Jr. High applications - which schools?

  2. Kaufman Competition

    1. JUNIOR DIVISION 2: AGES 11-14
      Preliminary YouTube Round: Up to 15 minutes of music,
      Contestant's choice. (Needs to include at least one fast-paced work.)

      Semi-Final Round: Up to 20 minutes
      1. One Baroque polyphonic work
      2. One virtuoso etude by Czerny, Clementi, Moszkowski, Chopin, Liszt, Rachmaninoff, etc.
      3. One or more pieces at the participant's discretion

      Finals: Up to 25 minutes
      1. A Classical sonata (or first or last movement)
      2. One or more compositions from the Romantic era
      3. One or more Contemporary pieces, written after 1950
      One work from semi-final round may be repeated.
      Works from preliminary round can be performed at the semifinal or the final rounds.

    2. All application materials must be postmarked by March 1, 2019 and submitted by mail and/or email to: