March 5, 2026 (Lesson 2 of 8)

Lesson Assignments

🟩Sonatina in A Minor op. 94, no. 4, Allegro moderato by Albert Biehl (L. 3, B)

  1. 🎥See new video in Newzik about mm. 17-18. Fingering change and connecting notes in the LH.

  2. 🎥Also see new video for mm. 17-26

  3. ❤️m. 6 LH - detached

  4. m. 8: do the decrescendo

  5. m. 7: detach the LH chords with a forward-motion wrist.

  6. SPOT PRACTICE: MM. 15-16: fix the rhythm. In m. 16, you speed up by 2 x’s! 😁

  7. mm. 1-16: Focus on making the LH softer than the RH.

🟩Sight-reading 2A

  1. Prepare pages 79-84

🟨RCM Technical Requirements: Level 3

  1. Finish preparing page 5 of the PDF.

🟩RCM Technical Requirements: Level 2

  1. Review all technical items at their final tempo.

🟩Four Star Level 2 (this needs a bit more work before an exam)

  1. Practice playback and clapbacks with your mom this week. This is sounding better!

🟩 Theory Level 3

  1. Unit 2: Complete the unit

🟩Etude in D Minor op. 82, no. 65 (L. 2, Etude)

  1. See the red and orange pen. Pass off next week!

🟩 Écossaise in G Major, WoO 23 by Ludwig van Beethoven (1770-1827) (L. 2, A)

  1. Review by practicing starting from any measure of the piece.

  2. POSITION IS FOCUS

🟩I Spy by Melody Bober (b. 1955) (L. 2, B)

  1. Review by practicing starting from any measure of the piece.

  2. POSITION IS FOCUS

🟩Farewell op. 98 no. 4 by Aleksandr Grechaninov (L. 2, C)

  1. Review by practicing starting from any measure of the piece.

  2. POSITION IS FOCUS

Level 3 Pieces

  1. The Stormy Sea by Ann Crosby Gaudet (L. 3, C)

  2. Sonatina in C Major, op. 36 no. 1, Allegro by Muzio Clementi (L. 3, B)

  3. Minuet in G Minor BWV Anh. 115 by Christian Petzold (L. 3, A)

  4. Musette in D Major, BWV Anh. 126 attr. Johann Sebastian Bach (L. 3, A)

Focus Tracker:

💚💚💛💛💚💛💜❤️💚💚💜❤️💚💜❤️🖤❤️❤️💚💚💚💚💚❤️💚💚🖤🧡💚💚💚💚🧡💚

(53 points)

❤️= 4 POINTS (+ bonus = no reminders)

💚= 3 POINTS

💛= 2 POINTS

💜= 1 POINT

🖤= 0 POINTS

HERE IS THE LINK TO I SPY PRACTICE VIDEO
https://www.videoask.com/f034bc97a




REVIEW LIST

Review the pieces on this list, with your music, one time each week.

💚Cranky Cat by Teresa Richert (b. 1964) (L. 1, C)

💚Far Away by Teresa Richert (b. 1864) (L. 1 Etude)

💚This Guy’s Disguised by Bradley Sowash (L. 1, B)

💚German Dance in D Major Hob. IX:22, no. 2 by Franz Jospeh Haydn (1732-1809) (L. 1, A)

💜Looking-Glass River by Nancy & Randall Faber (Prep. B)

💚Raptors by Kevin Olson (Prep. B)

💚New Shoes by Linda Niamath (Prep B)

💚The Lively Boy (Prep A)

💚Leaping the Waves with Dolphins (Prep B)

💚Curious Cat

💚Marching by Kabalevsky









🎨 Color-Focus Practice (NFPER)

At the top of your music, write NFPER using the following color system:

  • NNotes – correct pitches and accidentals (🟥 Red)

  • FFingering – consistent, effective finger choices (🟨 Yellow)

  • PPosition – hand shape, posture, and keyboard geography (🟧 Orange)

  • EExpression – phrasing, dynamics, articulation, tone, etc. (🟪 Purple)

  • RRhythm – steady pulse, accurate timing, and rests (🟦 Blue)

✅ If you're only recording audio, just use NER.

Step-by-Step Practice Flow

  1. Record your section once — video is best, but audio is fine too.

  2. Listen back with one color/goal in mind.

  3. As you listen, mark your music using that color anywhere it needs improvement.

  4. Repeat for each remaining color, one at a time, until all five have been addressed.

  5. Choose a small “spot” section from your markings — just a few measures or a tricky passage.

“Spot” until it’s solid — meaning:

  • 3 times in a row correctly, or

  • 5 total correct repetitions, then move on.





  1. Focus on one or two colors at a time while practicing that spot.

  2. Use the troubleshooting checklist below if you're stuck.

🔧 Troubleshooting Tips

🎯 If you’ve tried to fix something three times in-a-row and it’s still not working, don’t just repeat it — troubleshoot:

  • Do you need to slow down?

  • Should you practice hands alone?

  • Could you make the spot even smaller?

  • Would technical exercises help (staccato, accents, etc.)?

  • Do you need to think ahead more clearly?