RCMCP: Level 2?
LESSON ASSIGNMENTS
TECHNIQUE
Major Scale:
Teach me about the pattern in whole and half steps next week! See page 4 in your “Technical Requirement for Piano” book.
PREPARE: Page 7, G Major, E Harmonic Minor
Practice in two ways
CLOSE LOUD
Strike the key with force and immediately release the tension / attack by moving your wrist forward and discontinuing any pressure into the key.
Play this very slowly so you’re able to take time to relax after the strong attack.
LEGATO
Smooth and connected
READING
Four Star Sightreading & Ear Tests Level 2
PREPARE: All of review set 2
Ask yourself “where is middle C?”
Sightreading Portion
Key signature: what is it?
Time signature: what is it?
Study the rhythm.
Study the notes and intervals.
Set a SLOW and steady beat in your mind.
BEGIN! and DON’T STOP ONCE YOU’VE STARTED
Sightreading 1
Read about pages 4-5
Do one “day” per practice session according to the instructions.
DIRECTIONS
Key signature: what is it?
Time signature: what is it?
Study the rhythm.
Study the notes and intervals.
Set a SLOW and steady beat in your mind.
BEGIN! and DON’T STOP ONCE YOU’VE STARTED
REPERTOIRE - start with this next week with Dustin
*The Silent Moon, Nancy Telfer
Learn hands alone in chunks of 4 measures at a time
Then hands together using NFRPE
L. V. Beethoven, Ecossaise in G Major (L. 2)
Spot the purple pen.
BE ABLET TO PLLAY HANDS ALONE with no pauses and all expression correctly before you put this hands together.
HOLD
Czerny Op. 823 No 16
“SPOTTING” or a “SPOT” is a small section of your music that need to be cleaned up! To “spot” a section, do the following:
Create the spot by starting at least one measure before the mistake and finishing one measure after the mistake
Be able to play it 3 times in-a-row correctly.
LH ms. 12 to the end: 3 times in-a-row perfect. Every practice session. “Spot”
RH ms. 1-4: “SPOT”
Be able to play hands alone to the end with NO STOPS and NO MISTAKES
*MUSICIANSHIP
RHYTHM
PREPARE: Nos
Remember to conduct one bar of silence before you begin to ta
Relax your your wrist, fingers and arm when you conduct. Why do we do this?
REPERTOIRE
*The Silent Moon, Nancy Telfer
Learn hands alone in chunks of 4 measures at a time
Then hands together using NFRPE
L. V. Beethoven, Ecossaise in G Major (L. 2)
Spot the purple pen.
BE ABLET TO PLLAY HANDS ALONE with no pauses and all expression correctly before you put this hands together.
REVIEW - one time each week with your music:
Far Away by Teresa Richert (b. 1954) - (Etude, L. 1)
German Dance in G Major Hob. IX:22, No. 3 by Haydn
A Swingin Leprechaun by Mike Schoenmmehl
Hopscotch
