2019-2020 Lesson 3 of 32

RCMCP: Level 2?

LESSON ASSIGNMENTS

TECHNIQUE

  1. PREPARE: Page 7, F Major, E Melodic Minor

    1. Practice in two ways

      1. CLOSE LOUD

        1. Be careful that after you strike the key, you immediately move your wrist forward.

      2. LEGATO

        1. Slow down

        2. Bring your wrist higher.

Screen Shot 2019-09-15 at 3.10.46 PM.png

READING

  1. Four Star Sightreading & Ear Tests Level 2

    1. PREPARE: All of review set 2

      1. Ask yourself “where is middle C?”

    2. Sightreading Portion

      1. Key signature: what is it?

      2. Time signature: what is it?

      3. Study the rhythm.

      4. Study the notes and intervals.

      5. Set a SLOW and steady beat in your mind.

      6. BEGIN! and DON’T STOP ONCE YOU’VE STARTED

  2. Sightreading 1

    1. Do one “day” per practice session according to the instructions.

    2. DIRECTIONS

      1. Key signature: what is it?

      2. Time signature: what is it?

      3. Study the rhythm.

      4. Study the notes and intervals.

      5. Set a SLOW and steady beat in your mind.

      6. BEGIN! and DON’T STOP ONCE YOU’VE STARTED


REPERTOIRE

  1. *The Silent Moon, Nancy Telfer

    1. Learn hands alone in chunks of 4 measures at a time

    2. Then hands together using NFRPE

  2. L. V. Beethoven, Ecossaise in G Major (L. 2)

    1. Fix all the pink pen!

    2. Fix notes in the LH measures 9-end

    3. Fix notes in the RH measures 9-end

    4. RH measures 1-2 - STACCATO NOTES!

    5. PAY ATTENTION TO YOUR DYNAMICS PLEASE. :)

    6. When you play staccato, DON’T stroke the key toward your body. Plant your finger into the key and pop up!


HOLD

Czerny Op. 823 No 16

  1. “SPOTTING” or a “SPOT” is a small section of your music that need to be cleaned up! To “spot” a section, do the following:

    1. Create the spot by starting at least one measure before the mistake and finishing one measure after the mistake

    2. Be able to play it 3 times in-a-row correctly.

  2. LH ms. 12 to the end: 3 times in-a-row perfect. Every practice session. “Spot”

  3. RH ms. 1-4: “SPOT”

  4. Be able to play hands alone to the end with NO STOPS and NO MISTAKES

*MUSICIANSHIP

  1. RHYTHM

    1. PREPARE: Nos

      1. Remember to conduct one bar of silence before you begin to ta

      2. Relax your your wrist, fingers and arm when you conduct. Why do we do this?

REPERTOIRE

  1. *The Silent Moon, Nancy Telfer

    1. Learn hands alone in chunks of 4 measures at a time

    2. Then hands together using NFRPE

  2. L. V. Beethoven, Ecossaise in G Major (L. 2)

    1. Spot the purple pen.

    2. BE ABLET TO PLLAY HANDS ALONE with no pauses and all expression correctly before you put this hands together.

REVIEW - one time each week with your music:

  1. Far Away by Teresa Richert (b. 1954) - (Etude, L. 1)

  2. German Dance in G Major Hob. IX:22, No. 3 by Haydn

  3. A Swingin Leprechaun by Mike Schoenmmehl

  4. Hopscotch