RCMCP: Level 3 Spring
Kunlaya Wang
19S36152364326831
Level 3 Piano
Queens
May 17, 2020 12:04 PM
LIst A
List B
List C
Etude
Lesson Assignments:
TECHNIQUE
RCMPC Technique Level 3.
Memorize all technique
Test on any of it next week.
RCM Technical Requirements Level 3
***THEORY
***Celebrate Theory: Level 2 & 3
LINK TO UNIT 8 PLEASE PRINT:
https://drive.google.com/open?id=11cJvbcSxSCD0U8SBpsehjTKyZk6YM5KC
Link to Unit 1 of Level 3
https://drive.google.com/open?id=10huSUEZWYOtKbKenYbxZ5WHZqKP4jDeF
Email or text Dustin the completed pages before your lesson.
***READING
***Online Musicianship Training
https://moodle.rcmusic.com/lms/login/index.php
Login: info@gledhillartscollective.com
Password: dust2789
Four Star Sightreading & Ear Tests Level 3
Pages 44-46 - use these as sight-reading examples.
Sightreading 3A (DAILY ASSIGNMENT)
Continue on
REPERTOIRE
Left Alone by Joyce Grill (b. 1936) (L. 3, Etude)
Fix all markings in your music.
Have performance ready next week.
(recital) Burgmuller Op. 100 No. 2 (L. 3 Etude)
clean up the second to last measure.
Harlequinade by Johann Ludwig Krebs (1713 - 1780) (L. 3, A)
Review with your music, slowly, once each week.
Then play up to tempo without your music.
Minuet in E-flat Major by Johann Mattheson (1681 - 1764) (L. 3, A)
Review with your music, slowly, once each week.
Then play up to tempo without your music.
(recital) Sonatina in C Major Op. 36 No. 1 by Muzio Clementi (1752-1832) (L. 3, B)
Technical practice:
To make your scales even and smooth:
Accent practice (every other note, two ways)
Rhythm practice, Long (close loud) Short (fast and light), Long, Short, etc.
Rhythm practice, same as no. 2 but opposite.
Song of the Twilight by Yoshinao Nakada (L. 3, C)
Review with your music, slowly, once each week.
Practice Tools
Close Loud
With each note, keep your fingers close to the keyboard and pop your wrist up to help release the tension created when you hit the key with force!
Rhythms (Long, short, short, Long, short, short. etc.)
The long notes are strong like “close loud,” and the short notes are light and played as quickly as possible, THINKING about going to the next long note.
Accent Practice
Accent one note in a group and practice alternating the note that receives the accent.
Staccato Practice
Double Note Practice
Slo-Mo Practice
Review once a week with your music.
Prokofiev Op. 65 No. 10
Toccatina by Kabalevsky
Burgmuller Op. 100 No. “The Limped Stream”
Andante in G Minor by Telemann (L. 1)
*Haydn German Dance in D Major (L. 1)
*Hopscotch by Boris Berlin (L. 1 Etude)
*Celebration by Anne Crosby Gaudet (L. 1 Etude)
*A Swinging Leprechaun by Mike Schoenmehl (L. 1 Etude)
Etude in C Major by Félix Le Couppey (L. 1 Etude)
Far Away by Teresa Richert (L. 1 Etude)
*Distant Chimes by Jon George
Gavotte in C by Telemann
*Pantomime by Faber
Curious Cat by Teresa Richert (Prep A)
Baby Kangaroo (12/7/17)
Teeter-Totter by Dale Reubart (Prep A)
Dmitri Kabalevsky: Marching Op. 39 No. 3 (Prep A)
*Let's Waltz by Elvina Pearce (Prep A)
